** Caption file: DaVinciESL1.vnl
** Generated 4:16:13 PM on Monday, January 03, 2005
** Using VNLcc 2.2.96
** Copyright ©2005 VITAC Corporation
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What Leonardo da Vinci wanted to tell us was something very basic
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about the Roman Catholic Church.
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And he has coded that
in his paintings.
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Is it more likely that the man should be born of a virgin
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and walk on water
or rise from the dead?
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Or is it more likely
that he should have been born
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as other men are born,
married, and raised a family?
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Of that balance
of probabilities,
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which is more likely?
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It was almost obnoxious to think
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that Jesus
might have been married,
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coming from my background and
my orthodox Catholic position.
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Mary Magdalene
is the most important woman
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in world history.
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Not for what she said or did, particularly,
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but because of the reason
that the Church fathers
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were so afraid of her image.
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When Dan Brown
makes his suggestion
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that this great cover-up
has gone on,
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a lot of people get nervous and become instinctively critical
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of "The Da Vinci Code."
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But I think Dan Brown's on pretty good historical footing
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with some of these suggestions.
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His detail may be wrong
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or may be designed to serve
his fast-paced plot.
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But the big-picture question
of how Constantine
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and subsequent Roman emperors reshaped Christianity
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to serve their own purpose of political theory for the Empire
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is a powerful and, I think, largely valid argument.
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Doubleday published
"The Da Vinci Code"
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six months ago,
and since that moment,
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I have been asked one question over and over and over.
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And that is, "Why does everyone want to talk about this book?"
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And I'd love to say,
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"It's about the storytelling,
and it's about the writing."
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In all fairness,
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it probably has a lot more to do with the subject matter.
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In the following
documentary exploration
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of the fact behind the fiction
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of the best-selling novel
"The Da Vinci Code,"
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the respected authors
and researchers who inspired
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"Da Vinci Code" author
Dan Brown
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will have a chance to speak
at length
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about their discoveries
and theories.
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Henry Lincoln, coauthor
of "Holy Blood, Holy Grail,"
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the uber-source
of "The Da Vinci Code's"
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startling historical
world view.
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Lynn Picknett and Clive Prince, who discovered
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the coded messages
in Leonardo's paintings.
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Margaret Starbird,
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author of "The Woman
with the Alabaster Jar."
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And others.
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Watch each program segment
by itself
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or play all the segments
for a thrilling overview
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of the history and the mystery of "The Da Vinci Code."
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35 years ago, in 1969,
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heading off for holiday
in the Cevennes in France,
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I picked up
this paperback to read
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as a little bit
of holiday relaxation.
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And it was the story,
quite entertaining,
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of a priest of a little
French mountain village
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who had apparently found
a treasure in 1891.
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Certainly he was penniless
when he made his discovery.
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And by the time he died in 1917,
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he had spent
enormous sums of money.
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"The Da Vinci Code"
opens with the murder
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of a fictional character, Jacques Sauniere,
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who is said to be,
in "The Da Vinci Code,"
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the curator
of the Louvre Museum
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and presumed to be,
as you read the novel,
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the current grand master
of the Priory of Sion,
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whose job it apparently
has been...
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In addition to being
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a Leonardo da Vinci-type character,
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left-handed, as Leonardo
was left-handed,
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interested in all sorts
of science and machines,
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as Leonardo was,
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Jacques Sauniere's mission
in life seems to have been,
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according to the novel,
to protect his granddaughter,
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Sophie Neveu, from those associated with the Church,
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or otherwise who wish
to wipe out the family
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who are presumably
the modern descendants
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of Jesus and Mary Magdalene.
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So Jacques Sauniere
raises Sophie Neveu,
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the female protagonist
of "The Da Vinci Code."
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What Dan Brown doesn't tell us is that the name Saunière
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is actually the name
of a French priest
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who had a significant history
in the area in which he lived.
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He was the parish priest
of Rennes-le-Chateau
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in the area of Languedoc
in southern France,
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a very out-of-the-way area
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and in particular
in 19th-century France.
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He was sent there
as a young man with ambition.
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One of the first things
he did when he arrived
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at Rennes-le-Chateau
was to renovate the church.
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When he was renovating
the church,
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he removed the altar stone
from the church
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and found that there was
a pillar that was hollow.
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It was a Visigoth pillar, so it dated back to the 6th century.
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And in this hollowed-out pillar, there were some parchments.
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He took them out,
and what was written on them
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was what appeared to be
parts of the New Testament
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written in Latin.
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And some letters were raised slightly above the others.
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And it's these raised letters which cause the most interest.
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So the general assumption was,
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"What treasure
could he have found?"
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The clues essentially were preserved in some parchments.
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These had passages
from the Gospels in Latin,
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but they concealed
secret messages.
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The author of the paperback
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told us that there were
secret messages,
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but he didn't tell us
what they were.
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And it was while I was staring
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at one of these parchments reproduced in the book
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that I found myself reading off the secret message.
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It was terribly easy to find,
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and it didn't give away
any important information.
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It just said, "This treasure belongs to Dagobert II, king,
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and to Sion,
and he is there dead."
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What a good
and exciting message.
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I always wondered why the author hadn't given us the message.
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And, as a writer for television, it intrigued me.
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King Dagobert was the last
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of the acknowledged
Merovingian kings.
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He was the son of Clovis I.
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Clovis I had made a pact
with the Catholic Church
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that if Clovis increased
his empire, let's call it,
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of his area of France, and dedicated that to Christianity,
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then the Catholic Church would acknowledge the Merovingians
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as being the inheritors
of the throne.
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The Merovingian line is,
we believe,
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a line of direct descendants from Jesus Christ.
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Berenger Sauniere
didn't understand
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what the significance of these parchments was at all,
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and we still don't.
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So the first thing he did
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was go straight
to the Bishop of Carcassonne.
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The bishop had a long, hard look at these parchments
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and sent him straight up to
the ecclesiastical authorities
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in Paris.
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He returned from Paris
a wealthy man.
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He had a tower built on the edge of the mountain,
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which is the mountain where Rennes-le-Chateau was situated.
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He had a large house built
for him and his housekeeper.
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It had five or six bedrooms, and he called it La Villa Bethanie,
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with the obvious
biblical reference.
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And furthermore,
he had the whole road,
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from the base of the mountain,
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on which Rennes-le-Chateau
was situated,
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right up to the top
of the village, paved.
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He was an ordinary, humble country priest.
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And yet, at some point,
he discovered something
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that made him
an extremely wealthy man.
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And he spent a lot of money refurbishing the church,
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the Church of Mary Magdalene, which is the village church.
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A very old church.
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It was practically falling apart when he came.
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He bought up a lot of land
in the village.
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Lived an excessively
lavish lifestyle,
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entertaining visitors
from Toulouse, from Paris
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in very high style.
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During the course of his life,
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or the last 20 years
of his life, certainly,
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he spent something
in the order of,
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the modern equivalent
of about £2 million.
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That's the mystery.
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And there have been
many solutions put forward.
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It started
with the most obvious one.
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That he found a treasure
or a treasure trove.
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But it's developed
over the years to theories
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that he discovered a secret.
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A secret that he was either
paid to reveal
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or paid to keep quiet about.
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There are theories that
he was blackmailing the Vatican,
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'cause he discovered something of great importance
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that would undermine the Church,
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and the Church were paying him to keep quiet.
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The bishop was getting
a little jumpy
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about this huge expenditure
of money.
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In addition to this, he
was throwing wild, vast parties
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for the whole village and spending a great deal of money.
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And the bishop was getting jumpy
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because this was
a simple country priest.
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He had no conception of where
he was getting his money from.
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The only conclusion
he could reach
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was that he was guilty
of simony.
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That is the selling of masses
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in order to make up for sins that are committed.
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So he accused him of that
and suspended him.
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After this, Berenger Sauniere appealed directly to the Vatican
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and was reinstated.
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But shortly afterwards,
he died very suddenly,
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at the beginning of 1917.
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And he died of a stroke.
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But what is significant,
and we don't quite know why,
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is that 10 days
before his death,
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his housekeeper
had already ordered his coffin.
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Nobody's ever come up
with a conclusive answer.
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As much as can be said today, after decades of research,
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the least likely explanation is that he discovered a treasure.
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Our own research
and looking into the mystery,
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and particularly looking
into his cash flow
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and the way
his fortunes changed.
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Because there were times
when he was pretty broke,
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and suddenly another load
of money would come along.
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Lynn and I believe
that the source of his money
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was that he was being paid money
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by people who lived
outside the village.
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And there's some good evidence for that,
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including the fact that when
he had to account for his money
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to the local bishop,
that's actually what he said.
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Many researchers
just ignore his own words
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and think he was hiding
a treasure.
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But it's actually what he said, that he was given donations,
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large donations by people
who lived outside the village.
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But he was given those donations
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under conditions of secrecy
that he couldn't break.
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And he couldn't reveal
who those donors were.
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When you look at his cash flow,
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that is the most plausible explanation.
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It's half an answer
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because the other part
of the answer we want to know
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is why these people gave him huge sums of money.
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What was it about him
or the place he lived
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or whatever he knew
that led to people
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wanting to give him hundreds
of thousands of pounds?
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And that's now the bit
that needs to be answered.
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It's more information he had
or something that he was doing.
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After Berenger Sauniere's death,
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his housekeeper
continued to live in the house
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until her own death.
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When the French
changed currencies
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from the old franc
to the new franc,
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she was found in the garden,
or seen in the garden,
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burning large amounts
of paper money,
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presumably because
she didn't want to claim
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where the money had come from.
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She did actually tell the person who moved into the house
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that she would tell him
the secret of their wealth
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before she died.
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But unfortunately
she also suffered a stroke
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which rendered her speechless,
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and she was never able to say
where the money had come from.
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So the mystery died with her.
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As a writer for television,
I decided it would make
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an interesting subject
for a documentary program.
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And I went to the BBC
and suggested it,
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and they seemed to think
it was a good idea.
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So this was in 1970.
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And I went to meet the author
in Paris
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and discussed the subject
with him.
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And I asked him why he hadn't published the hidden messages.
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And he said,
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"Because we thought it might interest someone like you
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to find it for yourself."
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And that I found a very,
very intriguing response.
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The link between
the Rennes-le-Chateau mystery
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and the Priory of Sion
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is that the Priory of Sion claimed to be...
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They claimed to have been
the people behind Sauniere
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who were giving him money.
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They paid for him
to build his buildings
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and to have his lifestyle.
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And their claim is that
the reason is that Sauniere
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discovered documents
that revealed the truth
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about the survival
of the Merovingian Dynasty.
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The research had gotten vast.
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It was far too much for one man.
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And so I'd assembled
a little team.
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Richard Leigh
and Michael Baigent
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joined me for the research
on the third film.
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And it was while we were working on that third film
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that the hypothesis which became "Holy Blood, Holy Grail"
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suddenly materialized.
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It materialized after
a rather silly conversation
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which we were having.
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Somebody had said,
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"There's something fishy
about these Merovingians."
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A simple little sentence like that, and that was all it took.
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The penny dropped
with a resounding clang.
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Fish.
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Of course, one of the early symbols for Christ.
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And we suddenly wondered
at that moment,
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Richard Leigh and myself,
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whether what was so fishy
about the Merovingians
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was that they could have been descended from Christ.
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That's how the hypothesis
was conjured.
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On this question of the interpretation of evidence.
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People recount the story
of Berenger Sauniere,
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the priest of this village.
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But in fact, we know nothing
of Berenger Sauniere,
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the priest of Rennes-le-Chateau.
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It's all hearsay evidence.
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It wouldn't stand up
in a court of law.
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What we have to do always
is interpret.
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When you are led into the areas which deal with secret societies
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hovering in the background,
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the Priory of Sion,
in this case.
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Well, by their very nature, secret societies are secret.
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The secret that died
with his housekeeper
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seemed to be something
the Catholic Church
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wanted to keep very much
under wraps.
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It could have been
one of several things.
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It could have been the secret
of where the Cathars
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had hidden the treasure
from the Temple of Solomon.
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They are one of the groups suspected of having hidden it,
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because they had a stronghold
in Rennes-le-Chateau, too.
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It could have been the fact that some important religious figure
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is actually buried
in the church.
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And there is a yellow marking on
the outside wall of the church,
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which indicates that somebody royal is buried there.
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It could be a genealogy
of Jesus Christ found there
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or the equivalent
of what we would call
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birth or marriage certificates
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relating to Jesus Christ
and his marriage.
--> Display at 00:18:25:04
We think that his wealth
came directly
--> Display at 00:18:27:17
from the Catholic Church.
--> Display at 00:18:29:17
They were in the unfortunate position of knowing
--> Display at 00:18:32:12
that somebody
who they didn't know
--> Display at 00:18:34:12
whether they could rely upon entirely or not
--> Display at 00:18:36:17
was in possession
of a great secret
--> Display at 00:18:38:12
which could change the whole identity of the Church.
--> Display at 00:18:41:12
For that reason, they would have been willing to keep him quiet.
--> Display at 00:18:44:22
They also had enormous wealth
of their own
--> Display at 00:18:47:17
to give themselves the ability to do this.
--> Display at 00:18:50:10
When it comes
to the Priory of Sion,
--> Display at 00:18:54:02
things do get very complicated and very murky.
--> Display at 00:18:58:00
The known facts
about the Priory of Sion
--> Display at 00:19:00:22
is that it exists.
--> Display at 00:19:03:12
--> Erase at 00:19:05:11
It certainly does.
--> Display at 00:19:07:02
How large an organization it is is another question.
--> Display at 00:19:10:22
And it certainly exists
as a matter of public record
--> Display at 00:19:13:20
since the mid 1950s.
--> Display at 00:19:16:23
What we are led to believe
is that the Priory of Sion
--> Display at 00:19:19:20
had the intention
of re-establishing
--> Display at 00:19:21:22
the Merovingian rulers
of Europe back on the thrones
--> Display at 00:19:26:22
and probably
being in charge again
--> Display at 00:19:29:02
of the Roman Catholic Church.
--> Display at 00:19:30:22
--> Erase at 00:19:33:17
That's what we're led
to believe.
--> Display at 00:19:34:17
There are, according to documents that were later found,
--> Display at 00:19:38:07
several grand masters who were extremely well-known figures
--> Display at 00:19:43:07
in both the artistic
and scientific worlds.
--> Display at 00:19:46:12
And these grand masters
were discovered
--> Display at 00:19:50:22
as a result of Henry Lincoln
and Co.'s investigations
--> Display at 00:19:56:12
at the Bibliothèque Nationale
in Paris.
--> Display at 00:19:59:02
I understand that a great part of the readership
--> Display at 00:20:03:12
of "The Da Vinci Code,"
this thriller,
--> Display at 00:20:09:07
believe that it's based
in fact,
--> Display at 00:20:13:02
because there exists
in the French National Library
--> Display at 00:20:20:22
an assemblage of documents
which are known
--> Display at 00:20:23:02
--> Erase at 00:20:27:00
as the Dossier Secret,
"the Secret Dossier."
--> Display at 00:20:27:22
That because they're there,
they are reliable.
--> Display at 00:20:31:07
They're not.
--> Display at 00:20:32:17
The documents are proof
of absolutely nothing
--> Display at 00:20:36:07
beyond the fact
that they have been written,
--> Display at 00:20:39:22
--> Erase at 00:20:41:20
that they exist.
--> Display at 00:20:43:17
When we were researching
for "Holy Blood, Holy Grail,"
--> Display at 00:20:48:02
we did a lot of checking
on the Dossier Secret
--> Display at 00:20:51:17
and the list of grand masters.
--> Display at 00:20:54:12
--> Erase at 00:20:58:08
And there did appear to be
a certain validity.
--> Display at 00:21:00:17
--> Erase at 00:21:02:13
But that's all.
--> Display at 00:21:05:07
They should not be looked upon as reliable evidence
--> Display at 00:21:10:12
because they just aren't.
--> Display at 00:21:13:02
No document is reliable evidence of anything
--> Display at 00:21:15:12
apart from the fact
that it exists.
--> Display at 00:21:17:22
Anybody can concoct
any sort of document.
--> Display at 00:21:21:22
If you want to believe it,
that depends on the extent
--> Display at 00:21:24:17
of your naivete or the amount
of research which you've done.
--> Display at 00:21:27:15
There had been a number
of alleged grand masters
--> Display at 00:21:31:02
of the Priory of Sion,
such as Jean Cocteau.
--> Display at 00:21:34:12
He was one of the latest.
--> Display at 00:21:36:12
There was also Botticelli,
the painter.
--> Display at 00:21:39:07
Robert Doyle, Sir Isaac Newton,
--> Display at 00:21:41:22
people of great stature
and of great influence.
--> Display at 00:21:44:07
All of which had some interest,
some esoteric interest,
--> Display at 00:21:48:07
in either science or art,
--> Display at 00:21:49:22
and some of which
were connected by blood.
--> Display at 00:21:53:12
In 1956, the Priory of Sion arose again into the public eye,
--> Display at 00:22:00:02
when it was registered
by Pierre Plantard,
--> Display at 00:22:03:22
who was a Frenchman
who claimed descent
--> Display at 00:22:07:02
from the Merovingian line.
--> Display at 00:22:09:22
And he got to know Henry Lincoln and the other writers
--> Display at 00:22:15:07
of "The Holy Blood
and the Holy Grail."
--> Display at 00:22:17:07
And he, in fact, said
that the Priory of Sion
--> Display at 00:22:20:15
were the benefactors
of the treasure
--> Display at 00:22:23:02
which had been plundered
by the Roman emperor Titus
--> Display at 00:22:26:22
in A.D. 66
from the Temple of Solomon.
--> Display at 00:22:30:12
And it was they who were in charge of this immense wealth.
--> Display at 00:22:35:12
He has since been discredited, despite the fact
--> Display at 00:22:38:22
that he was very prominent
in the French Resistance
--> Display at 00:22:42:02
and a close ally
of Charles de Gaulle.
--> Display at 00:22:45:12
He has since been discredited
as being basically a charlatan,
--> Display at 00:22:49:17
somebody who had no connection
--> Display at 00:22:52:22
to the Merovingian family whatsoever.
--> Display at 00:22:55:02
And he disappeared
from the Priory of Sion
--> Display at 00:22:58:12
as grand master in the 1980s.
--> Display at 00:23:01:03
As the person
behind the Priory of Sion
--> Display at 00:23:04:12
and the material that it put out in the 1960s and '70s,
--> Display at 00:23:10:02
Pierre Plantard is obviously
an important figure.
--> Display at 00:23:13:07
A lot of the material
Pierre Plantard
--> Display at 00:23:15:07
is responsible for
is provably false.
--> Display at 00:23:17:17
It is a hoax.
--> Display at 00:23:19:07
But the question
that's never been answered
--> Display at 00:23:23:05
is what his motive
in that hoax has been.
--> Display at 00:23:26:07
No one's ever shown that he's gained anything financially,
--> Display at 00:23:30:17
materially from that.
--> Display at 00:23:32:17
And it was a hoax he maintained
--> Display at 00:23:36:12
for over 20 years,
close to 30 years.
--> Display at 00:23:41:01
We know nothing of them
--> Display at 00:23:43:12
except what little
they choose to tell us.
--> Display at 00:23:47:17
--> Erase at 00:23:51:24
And how reliable
is that going to be?
--> Display at 00:23:53:22
As for those figures
--> Display at 00:23:55:17
which people become interested and excited by,
--> Display at 00:23:59:07
Monsieur Pierre Plantard,
the Priory of Sion grand master,
--> Display at 00:24:03:22
--> Erase at 00:24:05:17
I liked him.
--> Display at 00:24:06:07
--> Erase at 00:24:08:15
He was a charming man.
--> Display at 00:24:09:07
Probably the best poker player on Earth, given the opportunity.
--> Display at 00:24:15:12
I can remember throwing, unexpectedly,
--> Display at 00:24:18:12
some very difficult questions
at him, and he didn't flicker.
--> Display at 00:24:22:20
--> Erase at 00:24:26:09
He always had an answer.
--> Display at 00:24:27:02
But again, those answers are merely what he chose to tell me.
--> Display at 00:24:32:02
So, in fact,
we don't know anything
--> Display at 00:24:33:22
about Berenger Sauniere,
the priest.
--> Display at 00:24:36:02
--> Erase at 00:24:39:00
We don't know anything
about Pierre Plantard.
--> Display at 00:24:39:02
We don't know anything
about the Priory of Sion.
--> Display at 00:24:42:22
--> Erase at 00:24:49:08
We know, and that's the word,
we know almost nothing.
--> Display at 00:24:50:02
The demonstrable and provable facts are very, very few.
--> Display at 00:24:54:17
All the rest
is hearsay evidence,
--> Display at 00:24:58:12
--> Erase at 00:25:02:04
guesswork, and interpretation.
--> Display at 00:25:02:17
None of the books that have been written, including my own,
--> Display at 00:25:06:05
--> Erase at 00:25:09:21
have any validity whatsoever.
--> Display at 00:25:16:17
Leonardo da Vinci is a figure which is familiar
--> Display at 00:25:19:05
to just about everybody
who lives in the West.
--> Display at 00:25:22:00
Most people can name
one of his paintings, at least,
--> Display at 00:25:25:09
probably the "Mona Lisa,"
if not recognize more than one.
--> Display at 00:25:30:02
He's also known
as an inventor and an artist
--> Display at 00:25:33:02
and a student of anatomy.
--> Display at 00:25:36:12
And he was basically a man
who typified the Renaissance.
--> Display at 00:25:40:22
At the same time
as being this kind of genius,
--> Display at 00:25:43:22
a very special type of genius, he also was not in favor
--> Display at 00:25:49:17
--> Erase at 00:25:53:22
of the way that the Roman Catholic Church was progressing.
--> Display at 00:25:54:11
Leonardo was a heretic.
--> Display at 00:25:56:12
He was a rationalist.
--> Display at 00:25:58:12
He was a scientist.
--> Display at 00:26:00:05
I think he was more a scientist than he was a painter.
--> Display at 00:26:04:07
As we now know, he really only completed 20-some paintings
--> Display at 00:26:08:07
in his life, and most of them, actually, are not completed.
--> Display at 00:26:12:22
He loved painting,
--> Display at 00:26:15:02
--> Erase at 00:26:18:13
but he thought of himself
as a scientist and inventor.
--> Display at 00:26:19:12
He left thousands and thousands of pages of secret notebooks
--> Display at 00:26:24:05
with mirror writing,
encoded writing,
--> Display at 00:26:26:07
and obviously had a predilection
--> Display at 00:26:28:17
to keep
important knowledge secret
--> Display at 00:26:31:17
and only known
to a handful of people.
--> Display at 00:26:34:00
And he had a kind of
sneering attitude
--> Display at 00:26:36:07
to the Roman Catholic Church,
--> Display at 00:26:37:22
which he was unable to express openly.
--> Display at 00:26:41:12
The way he did this
was through the codings
--> Display at 00:26:43:17
in some of his paintings.
--> Display at 00:26:45:07
I think if we could figure out
--> Display at 00:26:47:05
what the coded messages
in Leonardo's paintings were,
--> Display at 00:26:51:12
they would be fascinating.
--> Display at 00:26:53:06
The da Vinci code
--> Display at 00:26:56:02
is made up of the symbolism
and other references
--> Display at 00:27:03:22
that Leonardo left
in his artistic works
--> Display at 00:27:08:12
that revealed his own religious beliefs, his own ideas.
--> Display at 00:27:15:12
This is the idea that Dan Brown has taken from our book,
--> Display at 00:27:19:17
"The Templar Revelation."
--> Display at 00:27:21:12
The first chapter of which
is actually called
--> Display at 00:27:23:20
"The Secret Code
of Leonardo da Vinci."
--> Display at 00:27:26:00
Now, Dan Brown's taken that idea
--> Display at 00:27:28:05
of all this symbolism hidden
in Leonardo's paintings,
--> Display at 00:27:32:12
which can be decoded
to give a coherent message.
--> Display at 00:27:36:12
He's taken that and used that
as the basis of his thriller.
--> Display at 00:27:41:13
You know, that's the thing
that actually kicks
--> Display at 00:27:45:07
the whole story off
in his novel.
--> Display at 00:27:47:07
Lynn and I have looked at
and decoded Leonardo's paintings
--> Display at 00:27:52:17
to reveal what we think motivated Leonardo.
--> Display at 00:27:58:22
What his beliefs were, both his beliefs concerning the Church
--> Display at 00:28:05:17
and what he thought about it.
--> Display at 00:28:09:02
Basically, he didn't like
the Church.
--> Display at 00:28:11:07
--> Erase at 00:28:13:10
He was very critical of it.
--> Display at 00:28:14:07
So, in a way, it reveals
what he thought was false.
--> Display at 00:28:17:05
And it also reveals
what he thought was true,
--> Display at 00:28:19:17
the religious ideas,
the heretical ideas
--> Display at 00:28:22:02
--> Erase at 00:28:25:01
that motivated and drove him.
--> Display at 00:28:26:12
And although Dan Brown
--> Display at 00:28:29:17
has used much of our decoding that we came up with,
--> Display at 00:28:34:17
our interpretations
of those paintings,
--> Display at 00:28:37:07
he goes
in a very different direction
--> Display at 00:28:40:02
--> Erase at 00:28:42:13
to the one that we took.
--> Display at 00:28:43:02
Because he then mixes his plot
--> Display at 00:28:45:12
with ideas taken
from other books,
--> Display at 00:28:47:17
primarily
"The Holy Blood and Holy Grail"
--> Display at 00:28:51:07
to come up with
a good rip-roaring plot.
--> Display at 00:28:55:22
The research that Lynn and I did that led us
--> Display at 00:29:00:12
to look at Leonardo's paintings began with the Shroud of Turin,
--> Display at 00:29:04:20
which is where our interest
in Leonardo started from.
--> Display at 00:29:09:02
We wrote a book back in 1994,
--> Display at 00:29:11:12
in which we argued
that the Shroud of Turin
--> Display at 00:29:15:22
is actually the world's least-known Leonardo da Vinci.
--> Display at 00:29:20:17
That he actually created
that great hoax.
--> Display at 00:29:25:00
The Shroud of Turin
--> Display at 00:29:26:05
--> Erase at 00:29:31:14
is a very interesting artwork, if you like.
--> Display at 00:29:32:02
In the 1970s, I think it was,
the 1970s or the 1980s,
--> Display at 00:29:35:22
scientists were allowed
to analyze the Turin Shroud
--> Display at 00:29:39:15
for a very short period of time.
--> Display at 00:29:42:07
And they carbon-dated it, carbon-dated the shroud itself,
--> Display at 00:29:46:17
to a period which dates to
about the 1200s, 1300s,
--> Display at 00:29:51:17
the cloth itself.
--> Display at 00:29:52:22
So it couldn't possibly
have been used to wrap
--> Display at 00:29:55:15
the body of Jesus Christ.
--> Display at 00:29:58:17
Leonardo da Vinci, I feel,
--> Display at 00:30:00:20
is a very strong contender
for being the person
--> Display at 00:30:04:02
who actually created
the Shroud of Turin.
--> Display at 00:30:07:17
He is unique
among artists of his day
--> Display at 00:30:11:17
in never having produced
a crucifixion.
--> Display at 00:30:15:02
He had a total of probably
17 paintings
--> Display at 00:30:18:07
which were attributed to him,
--> Display at 00:30:20:00
but none of them
was a crucifixion.
--> Display at 00:30:21:22
And that is not only unusual, it's unique.
--> Display at 00:30:25:02
What he may have been doing
by creating the Shroud of Turin
--> Display at 00:30:29:07
was putting this up as a kind of crucifixion substitution.
--> Display at 00:30:36:17
And the analysis
that some people
--> Display at 00:30:39:10
have put upon the image itself
--> Display at 00:30:42:17
is that it is actually
burnt on top,
--> Display at 00:30:45:12
on the top layer of the fibers of the material.
--> Display at 00:30:50:17
And this could be done
--> Display at 00:30:51:22
by using what is known
as a camera obscura,
--> Display at 00:30:54:22
which actually takes light
and burns onto a material.
--> Display at 00:30:59:12
That is one explanation.
--> Display at 00:31:01:11
He used a very primitive photographic technique
--> Display at 00:31:06:17
--> Erase at 00:31:09:03
to get the image on there.
--> Display at 00:31:09:17
And even more outrageously,
--> Display at 00:31:11:22
he actually used his own face
as the image on there.
--> Display at 00:31:15:22
Because that would have appealed
--> Display at 00:31:17:17
--> Erase at 00:31:21:21
to his sense of humor,
sense of irony.
--> Display at 00:31:22:22
Now, put like that, it all sounds pretty much outrageous
--> Display at 00:31:27:12
and certainly more outrageous than the Dan Brown plot.
--> Display at 00:31:30:20
Leonardo da Vinci had a habit
of painting himself
--> Display at 00:31:35:03
in a lot of his paintings.
--> Display at 00:31:36:22
In the same way Alfred Hitchcock
appears in a lot of his films,
--> Display at 00:31:39:22
Leonardo da Vinci liked to play a cameo role in his own works.
--> Display at 00:31:44:02
At the beginning
of "The Da Vinci Code,"
--> Display at 00:31:45:24
Dan Brown has a murder
of Saunière in the Louvre.
--> Display at 00:31:50:00
The Vitruvian Man
is a depiction of man
--> Display at 00:31:55:02
and the sacred geometry
the parts make of the whole.
--> Display at 00:31:59:02
It is used by Dan Brown
as the way in which
--> Display at 00:32:03:07
the murdered man
at the beginning is discovered.
--> Display at 00:32:06:02
But Dan Brown has him
actually stretched out
--> Display at 00:32:09:00
in the form of a pentangle,
--> Display at 00:32:11:07
which is, as we can see,
what the Vitruvian Man is.
--> Display at 00:32:14:14
The image of the Vitruvian Man is also one
--> Display at 00:32:17:02
of the most recognized images
in the western world today,
--> Display at 00:32:20:22
similar to Che Guevara
or the "Mona Lisa."
--> Display at 00:32:23:17
And its last outing
as an image occurred
--> Display at 00:32:26:02
on the one euro coin in Italy.
--> Display at 00:32:28:06
The other most instantly recognizable of Leonardo's works
--> Display at 00:32:33:17
is "The Last Supper,"
--> Display at 00:32:36:12
giant fresco
from a church in Italy.
--> Display at 00:32:41:07
Which, I mean, now you see reproductions of it everywhere,
--> Display at 00:32:44:12
--> Erase at 00:32:50:08
on everything from sort of table mats to you name it, really.
--> Display at 00:32:51:22
And yet everybody recognizes it.
--> Display at 00:32:54:17
And art historians
have restored it.
--> Display at 00:32:58:17
They've been over it
with a fine-tooth comb.
--> Display at 00:33:02:17
But nobody seems to have noticed
--> Display at 00:33:04:22
--> Erase at 00:33:08:21
certain interesting facts
about it.
--> Display at 00:33:09:17
Which, in "The Da Vinci Code,"
--> Display at 00:33:11:12
--> Erase at 00:33:16:18
and Dan Brown very kindly brings to people's attention.
--> Display at 00:33:18:02
For example,
--> Display at 00:33:20:05
Jesus is sitting at the center of the table, of course.
--> Display at 00:33:26:17
But leaning away from,
almost as if joined at the hip,
--> Display at 00:33:31:12
is this character
--> Display at 00:33:34:10
who is supposed to be
the young Saint John.
--> Display at 00:33:37:07
But in the New Testament,
the young Saint John
--> Display at 00:33:39:17
is described
as leaning against Jesus.
--> Display at 00:33:42:12
This is a little odd.
--> Display at 00:33:44:12
And if you look
at this young Saint John,
--> Display at 00:33:46:17
he's effeminate to the point
of femininity.
--> Display at 00:33:50:07
And you begin to look
a little more closely.
--> Display at 00:33:54:02
And I can't remember exactly
which way around it is,
--> Display at 00:33:57:12
but Jesus is wearing a red robe and a blue cloak,
--> Display at 00:34:05:12
and this character
is wearing the opposite,
--> Display at 00:34:08:02
like his other half.
--> Display at 00:34:10:07
And so what with one thing
and another.
--> Display at 00:34:12:02
And the fact that
their two figures together
--> Display at 00:34:15:07
form a giant
spread-eagle "M" shape.
--> Display at 00:34:18:20
This indicated to us
when we discovered this,
--> Display at 00:34:24:07
and not Mr. Dan Brown,
--> Display at 00:34:26:15
that it would suggest
that Leonardo is trying to say
--> Display at 00:34:30:07
that Mary Magdalene,
the giant "M" woman,
--> Display at 00:34:33:12
the lady "M," was at the last supper sitting next to Jesus
--> Display at 00:34:39:00
in a position of some status
and also as his other half,
--> Display at 00:34:45:11
which is quite a big statement.
--> Display at 00:34:47:07
I think very interesting things
--> Display at 00:34:49:12
are going on
in "The Last Supper,"
--> Display at 00:34:52:02
although I would caution
that "The Last Supper"
--> Display at 00:34:54:17
has been restored so many times,
--> Display at 00:34:56:17
including as far back
as the 1700s,
--> Display at 00:34:59:22
that we're not sure when we look at "The Last Supper" today
--> Display at 00:35:02:17
that we're looking at the painting that Leonardo painted.
--> Display at 00:35:05:20
But there is a very threatening face on the face of Peter.
--> Display at 00:35:13:02
There is a very unexplained extra hand in the painting.
--> Display at 00:35:17:12
There is a very threatening knife in the painting.
--> Display at 00:35:20:02
We know there is no chalice
or Holy Grail
--> Display at 00:35:23:15
in the center of the painting.
--> Display at 00:35:25:10
Leonardo is
a master psychologist.
--> Display at 00:35:29:00
He understood that people only see what they expect to see
--> Display at 00:35:34:22
or are told to expect to see.
--> Display at 00:35:38:02
You don't really expect to see disembodied hands doing things.
--> Display at 00:35:42:04
When we wrote
"The Templar Revelation,"
--> Display at 00:35:44:17
we said,
rather pompously, perhaps,
--> Display at 00:35:48:07
that Leonardo's symbolism
in his paintings
--> Display at 00:35:51:02
was always serious
and always subtle.
--> Display at 00:35:54:22
And there was never anything that was the equivalent
--> Display at 00:35:59:17
of sticking a red nose
on Saint Peter.
--> Display at 00:36:02:17
Since that book came out,
--> Display at 00:36:04:02
we've made at least
one major discovery
--> Display at 00:36:06:22
which shows he was willing to do something much worse than that.
--> Display at 00:36:10:12
But first, the serious stuff.
--> Display at 00:36:12:05
I mean, Leonardo's symbolism
for posterity.
--> Display at 00:36:16:20
This was his only crack at it,
let's be honest, in those days.
--> Display at 00:36:20:17
To hand a message
down to us today,
--> Display at 00:36:23:07
all he had was his paintbrush, basically.
--> Display at 00:36:26:07
So go for it,
and he went for it.
--> Display at 00:36:29:08
There are two versions
of the "Madonna of the Rocks."
--> Display at 00:36:31:10
One is in the Louvre, and one is in the National Gallery.
--> Display at 00:36:34:12
The first one that
Leonardo da Vinci painted
--> Display at 00:36:37:12
was unaccepted by the monks
of the church
--> Display at 00:36:41:20
that had commissioned it.
--> Display at 00:36:43:07
And it was not accepted because he hadn't painted halos
--> Display at 00:36:46:05
on the figures.
--> Display at 00:36:47:17
The actual painting depicts
the flight
--> Display at 00:36:50:02
of Jesus Christ
and John the Baptist
--> Display at 00:36:53:22
from Herod during
the Massacre of the Innocents.
--> Display at 00:36:56:22
And Jesus Christ
is with his mother, Mary,
--> Display at 00:36:59:07
and the angel Uriel
is looking over them.
--> Display at 00:37:02:22
Some people say
that it is unaccepted
--> Display at 00:37:05:22
by the Catholic Church
because of the juxtaposition
--> Display at 00:37:08:12
of John the Baptist
and Jesus Christ.
--> Display at 00:37:10:22
John the Baptist
being the person
--> Display at 00:37:13:05
who was actually older
than Jesus Christ.
--> Display at 00:37:15:22
He was a descendant
of the Aaron line,
--> Display at 00:37:18:12
which made him a Priest Messiah.
--> Display at 00:37:20:17
Jesus Christ was a descendant
--> Display at 00:37:22:10
of both the Aaron line
and the Davidic line,
--> Display at 00:37:25:02
which made him not only
a Priest Messiah
--> Display at 00:37:28:00
in the same way
John the Baptist was,
--> Display at 00:37:29:22
but also a King Messiah.
--> Display at 00:37:33:17
And the fact John the Baptist
baptized Jesus Christ.
--> Display at 00:37:37:07
As the Son of God,
the Roman Catholic Church
--> Display at 00:37:40:02
would prefer us to believe
that Jesus Christ
--> Display at 00:37:42:15
was doing all the baptizing,
--> Display at 00:37:44:07
and therefore who on Earth does John the Baptist think he is
--> Display at 00:37:48:07
baptizing the Son of God?
--> Display at 00:37:50:07
It doesn't quite add up.
--> Display at 00:37:52:22
If you look at the genealogies of the family,
--> Display at 00:37:55:02
it adds up perfectly correctly.
--> Display at 00:37:57:07
That is something
the Catholic Church
--> Display at 00:37:59:07
would like to sideline.
--> Display at 00:38:00:20
So the whole juxtaposition
--> Display at 00:38:02:11
of Jesus Christ
and John the Baptist
--> Display at 00:38:05:04
is awkward at best
for the Catholic Church.
--> Display at 00:38:08:01
The serious stuff
in the "Madonna of the Rocks."
--> Display at 00:38:10:05
First of all,
there are two versions.
--> Display at 00:38:12:12
There's one in the Louvre,
--> Display at 00:38:15:12
--> Erase at 00:38:21:24
which figures largely
in "The Da Vinci Code."
--> Display at 00:38:22:12
And that's really
the truly heretical one.
--> Display at 00:38:25:02
And there's one
in London's National Gallery,
--> Display at 00:38:27:00
which is another version,
a toned-down version,
--> Display at 00:38:29:12
although there still
are certain features in it
--> Display at 00:38:32:02
--> Erase at 00:38:34:03
which are a bit naughty.
--> Display at 00:38:35:17
The serious stuff is connected
--> Display at 00:38:40:17
--> Erase at 00:38:47:04
with his elevation
of John the Baptist over Jesus.
--> Display at 00:38:49:00
And it's in all his works, as far as he can get away with it.
--> Display at 00:38:54:17
A lot of people think
Leonardo was an atheist.
--> Display at 00:38:57:10
He was a scientist,
that sort of glib thinking.
--> Display at 00:39:00:17
But he was a heretic.
--> Display at 00:39:02:07
He had very, very specific
and very passionate beliefs
--> Display at 00:39:05:12
which come over quite clearly
in his work.
--> Display at 00:39:07:22
But they're absolutely nothing
--> Display at 00:39:09:22
like the normal Christianity which he despised.
--> Display at 00:39:13:07
In the "Madonna of the Rocks,"
--> Display at 00:39:17:12
the Louvre version,
the heretical version,
--> Display at 00:39:20:12
you have a very beautiful but slightly distracted Virgin Mary
--> Display at 00:39:28:07
with her arm around a child
who is kneeling.
--> Display at 00:39:34:22
You have another little boy who looks almost exactly the same
--> Display at 00:39:42:02
who is sitting there basically blessing the other child.
--> Display at 00:39:46:07
And with his or her or its arm around him is an angel.
--> Display at 00:39:51:02
And it's the angel Uriel.
--> Display at 00:39:53:02
Now, this scene, actually,
is not from the New Testament.
--> Display at 00:39:57:12
It's actually from...
--> Display at 00:40:01:02
It's a Church tradition.
--> Display at 00:40:03:02
It was invented to cover up the deep embarrassment of the idea
--> Display at 00:40:07:07
that in later life
John the Baptist
--> Display at 00:40:09:02
would actually have
the authority
--> Display at 00:40:11:00
to perform a ritual on Jesus.
--> Display at 00:40:12:22
So they invented this idea
that in Egypt,
--> Display at 00:40:15:22
they all got together
as children,
--> Display at 00:40:18:12
and Jesus bestowed the authority on him later in life
--> Display at 00:40:22:07
to have the authority
to baptize him.
--> Display at 00:40:24:22
It was convoluted.
--> Display at 00:40:26:02
That's what this commissioned work purports to show.
--> Display at 00:40:31:07
--> Erase at 00:40:35:06
But you look at it and think,
"There's something wrong here."
--> Display at 00:40:37:15
You know, because "obviously,"
I say "obviously" in quotes,
--> Display at 00:40:41:22
the child who is kneeling
to receive the blessing
--> Display at 00:40:44:22
has the Virgin Mary's arm
around her shoulders.
--> Display at 00:40:48:07
And in Church iconography
and Church tradition,
--> Display at 00:40:53:17
the archangel Uriel
is John the Baptist's protector.
--> Display at 00:40:58:17
So why are the children apparently
--> Display at 00:41:03:10
with the wrong guardians?
--> Display at 00:41:05:22
--> Erase at 00:41:10:24
Why is the kneeling, submissive child with the Virgin Mary?
--> Display at 00:41:11:12
But if you actually
turn it around,
--> Display at 00:41:13:12
and they're
with their right guardians,
--> Display at 00:41:15:22
you have
the baby John the Baptist
--> Display at 00:41:18:22
being the one in authority
--> Display at 00:41:20:22
--> Erase at 00:41:26:12
and blessing the kneeling Jesus,
who is accepting his authority.
--> Display at 00:41:27:22
I mean, there's lots
of other details,
--> Display at 00:41:29:22
and it's in our book
"The Templar Revelation."
--> Display at 00:41:32:15
And in my book
about Mary Magdalene, too.
--> Display at 00:41:35:05
There is something else which
I would draw attention to
--> Display at 00:41:37:22
which we discovered, and this is the bit that I was talking about
--> Display at 00:41:41:20
that is much worse than sticking a red nose on Saint Peter.
--> Display at 00:41:45:22
And all I will say
is it is connected
--> Display at 00:41:50:10
with the proliferation of rocks in the painting.
--> Display at 00:41:55:17
And it's a shape
formed out of the rocks
--> Display at 00:41:59:17
which grows, as it were,
out of the Virgin Mary's head.
--> Display at 00:42:03:02
It goes right to the skyline.
--> Display at 00:42:06:02
And basically this is Leonardo saying, "She ain't no virgin."
--> Display at 00:42:11:16
Have a look.
--> Display at 00:42:12:17
Once you see it, you will never, ever see Leonardo's work
--> Display at 00:42:16:10
--> Erase at 00:42:18:10
in the same light again.
--> Display at 00:42:19:06
It's pretty clear Leonardo
--> Display at 00:42:22:00
is trying to communicate something there.
--> Display at 00:42:24:17
And the phallic symbols that Lynn Picknett has emphasized
--> Display at 00:42:29:12
are very much in evidence
in the painting.
--> Display at 00:42:32:22
What exactly the message
of that is,
--> Display at 00:42:35:17
I don't have an answer
to that question.
--> Display at 00:42:37:22
I think it would be
quite interesting
--> Display at 00:42:40:12
--> Erase at 00:42:43:08
if we could learn the answer.
--> Display at 00:43:00:17
Like hundreds of thousands, probably millions,
--> Display at 00:43:04:07
of people worldwide,
--> Display at 00:43:07:10
Clive and I read
"Holy Blood, Holy Grail"
--> Display at 00:43:11:07
and found our interests
in these subjects,
--> Display at 00:43:16:07
the true origins
of Christianity, if you like,
--> Display at 00:43:19:17
rekindled and notched up a bit.
--> Display at 00:43:22:12
It's an exciting story.
--> Display at 00:43:25:02
Very soberly told,
--> Display at 00:43:27:10
not sensational
in its presentation at all.
--> Display at 00:43:31:00
And it certainly made us think
--> Display at 00:43:33:10
and inspired us
to take it further.
--> Display at 00:43:36:02
What I want to do now
is to make a clear distinction
--> Display at 00:43:40:02
between the Christ of faith
and the Jesus of history.
--> Display at 00:43:46:17
We're not talking about
a descent from Christ, in fact.
--> Display at 00:43:50:12
Christ, I repeat,
is a figure of faith.
--> Display at 00:43:54:07
But Jesus, the man who walked
on the sands of Palestine,
--> Display at 00:44:00:20
is a real historical figure.
--> Display at 00:44:02:22
And he, we felt,
we could research.
--> Display at 00:44:06:02
It's been said that what we
have written is in some sense
--> Display at 00:44:11:17
an assault on Christianity.
--> Display at 00:44:14:12
And it's also been suggested that some people
--> Display at 00:44:17:05
have been led to turn away
from a faith
--> Display at 00:44:21:07
--> Erase at 00:44:23:15
which they've grown up with.
--> Display at 00:44:24:22
That grieves me
--> Display at 00:44:27:02
because there is nothing in
our work which is in any sense
--> Display at 00:44:30:17
an assault on that figure
of Christ.
--> Display at 00:44:34:00
What we are doing is looking
--> Display at 00:44:35:17
at the man who walked
on the sands of Palestine.
--> Display at 00:44:39:02
If you choose to believe that that Jesus was born of a virgin
--> Display at 00:44:45:17
and walked on water
and rose from the dead,
--> Display at 00:44:50:12
then that is a gift.
--> Display at 00:44:52:17
Your faith is a gift.
--> Display at 00:44:54:22
And nothing
that we can say about Jesus
--> Display at 00:44:58:11
should affect
what you choose to believe.
--> Display at 00:45:02:07
But you must remember
--> Display at 00:45:03:24
that religion is essentially
a matter of opinion.
--> Display at 00:45:08:07
--> Erase at 00:45:14:05
It's a question of faith,
what you choose to believe.
--> Display at 00:45:14:20
And when we were looking
at the possibilities
--> Display at 00:45:18:20
of a blood descent,
--> Display at 00:45:21:12
we were looking at a balance
of probabilities.
--> Display at 00:45:25:22
Is it more likely that the man should be born of a virgin
--> Display at 00:45:32:07
--> Erase at 00:45:36:00
and walk on water
or rise from the dead?
--> Display at 00:45:37:02
Or is it more likely
that he should have been born
--> Display at 00:45:42:18
as other men are born,
married, and raised a family?
--> Display at 00:45:49:22
Of that balance
of probabilities,
--> Display at 00:45:52:07
--> Erase at 00:45:55:10
which is more likely?
--> Display at 00:45:56:07
That's solely the hypothesis which we present
--> Display at 00:46:00:02
--> Erase at 00:46:02:13
in "Holy Blood, Holy Grail."
--> Display at 00:46:04:17
Well, the main thesis
is that Jesus was married.
--> Display at 00:46:07:22
And being raised Roman Catholic,
I thought that was blasphemy.
--> Display at 00:46:11:15
I almost dropped the book.
I fled from the library.
--> Display at 00:46:14:07
I didn't want a thing to do
with this book.
--> Display at 00:46:17:02
It was almost obnoxious to think
--> Display at 00:46:19:22
that Jesus
might have been married,
--> Display at 00:46:23:02
coming from my background and
my orthodox Catholic position.
--> Display at 00:46:28:08
When "Holy Blood, Holy Grail" first appeared,
--> Display at 00:46:33:02
there was a shocked reaction from the general public.
--> Display at 00:46:37:17
We got ourselves onto the
front pages around the world.
--> Display at 00:46:40:22
It was as if this
had never been said before.
--> Display at 00:46:45:02
But, of course, ideas like that have been in the air
--> Display at 00:46:51:07
for centuries, one might say.
--> Display at 00:46:53:07
The only thing original
in "Holy Blood, Holy Grail"
--> Display at 00:46:56:07
was a blood descent from Jesus
--> Display at 00:46:58:22
and that his wife
was Mary Magdalene.
--> Display at 00:47:01:20
Had this been a story
not dealing with Jesus,
--> Display at 00:47:07:22
but let's say
William Shakespeare
--> Display at 00:47:12:07
or Richard the Lionheart,
--> Display at 00:47:14:22
any sort of discoveries
made about him
--> Display at 00:47:17:07
in the sense that we did
and made an hypothesis,
--> Display at 00:47:22:12
anything in association
with ordinary characters
--> Display at 00:47:29:22
would have been taken on board,
--> Display at 00:47:31:22
accepted as part of
the mainstream of scholarship.
--> Display at 00:47:34:17
It's only because the figure that we're dealing with
--> Display at 00:47:39:07
is Jesus, this figure of faith.
--> Display at 00:47:42:10
And that's
what creates the fuss.
--> Display at 00:47:45:12
At first, I didn't know
what to think.
--> Display at 00:47:47:17
And then I thought, "Well,
I'm gonna go investigate this."
--> Display at 00:47:51:07
And as I got into the material,
--> Display at 00:47:53:07
I told a friend of mine
about it.
--> Display at 00:47:55:07
And she said,
"That's ridiculous.
--> Display at 00:47:57:05
The Church would have told us."
I said, "I believe that."
--> Display at 00:48:00:07
So I said, "I'm gonna pray
about this book."
--> Display at 00:48:02:12
And my friend said,
"I think you should."
--> Display at 00:48:04:17
And when I did,
I opened my scripture one day,
--> Display at 00:48:08:02
praying about
"Holy Blood, Holy Grail."
--> Display at 00:48:11:12
And I looked down and saw this passage in my scripture said,
--> Display at 00:48:15:12
"Restore my wife
whom I espouse to me."
--> Display at 00:48:18:17
And I thought that was uncanny that I opened a page
--> Display at 00:48:21:22
that said that in the scripture that I said,
--> Display at 00:48:23:22
"Maybe I should take
this seriously
--> Display at 00:48:25:17
and go see if there's any evidence that could support it."
--> Display at 00:48:28:17
And that's when I launched
on my journey to search
--> Display at 00:48:31:22
for the Holy Grail.
--> Display at 00:48:34:19
--> Erase at 00:48:38:08
Which I believe is the sacred feminine, the lost bride.
--> Display at 00:48:40:17
I was assigned some paper to write for a class I was taking
--> Display at 00:48:46:00
--> Erase at 00:48:49:20
in interpreting the Gospels
at Vanderbilt Divinity School.
--> Display at 00:48:52:17
And when I asked for help finding a passage
--> Display at 00:48:56:05
and opened my scriptures,
--> Display at 00:48:57:12
I was looking
at the passage in Mark
--> Display at 00:48:59:17
from the anointing of Jesus
--> Display at 00:49:02:07
by the woman with the alabaster jar at the banquet in Bethany.
--> Display at 00:49:06:07
I thought, "That's interesting."
So I went investigating.
--> Display at 00:49:09:17
First, I found
that the anointing scene
--> Display at 00:49:11:17
occurs in all four
of the canonical Gospels.
--> Display at 00:49:14:12
There are only four stories
that do.
--> Display at 00:49:16:15
One is the baptism of Jesus,
--> Display at 00:49:18:02
the multiplication
of loaves and fishes,
--> Display at 00:49:20:05
the Crucifixion,
and the anointing by a woman.
--> Display at 00:49:22:24
Which gives you an idea how
very special that passage is.
--> Display at 00:49:26:12
If it was collected in all the communities that wrote Gospels,
--> Display at 00:49:30:07
that story was so powerful
that it made it into all four.
--> Display at 00:49:34:12
I went to investigate anointing and find what I could.
--> Display at 00:49:37:07
And I found that the anointing
--> Display at 00:49:39:02
actually has sexual connotations in the ancient world
--> Display at 00:49:42:07
and that the anointing
by the woman was a nuptial rite
--> Display at 00:49:45:22
in the ancient cultures,
we should say cult,
--> Display at 00:49:49:02
of the sacrificed
bridegroom king.
--> Display at 00:49:51:07
There are many religious leaders who arise in this time period.
--> Display at 00:49:55:02
And Jesus is one,
and he's a rabbi.
--> Display at 00:49:57:02
--> Erase at 00:50:01:17
Everyone in the New Testament is Jewish until proven otherwise.
--> Display at 00:50:02:22
It was commonplace
for Jewish rabbis to be married.
--> Display at 00:50:06:17
In fact, it was a rare exception
--> Display at 00:50:09:12
of a Jewish rabbi of that time
who was not married.
--> Display at 00:50:12:10
Jesus Christ was required
--> Display at 00:50:14:22
as a member of the Davidic line to marry.
--> Display at 00:50:17:22
Not only was
he required to marry,
--> Display at 00:50:19:22
he was required to sire two sons by the age of 40.
--> Display at 00:50:24:04
The feast of Cana is mentioned in the Book of John.
--> Display at 00:50:28:22
He doesn't describe
the actual wedding itself
--> Display at 00:50:31:15
but only the feast.
--> Display at 00:50:33:17
And what jars in this particular story is the fact that Mary,
--> Display at 00:50:39:07
that is, Jesus' mother,
says to the servants
--> Display at 00:50:42:20
that they should do
whatever he tells them to.
--> Display at 00:50:45:22
So when they are told to go
and get more wine,
--> Display at 00:50:48:17
they have to oblige.
--> Display at 00:50:50:17
The only person at a wedding
who would be allowed to do that
--> Display at 00:50:54:02
--> Erase at 00:50:56:12
would be the groom himself.
--> Display at 00:51:01:24
Mary Magdalene is depicted
as anointing Jesus Christ
--> Display at 00:51:05:12
on two occasions with
an ointment called spikenard,
--> Display at 00:51:09:07
which was
only allowed to be used
--> Display at 00:51:11:12
by those of the Davidic line.
--> Display at 00:51:13:09
Then it became a question, "Okay, who was this women?
--> Display at 00:51:16:20
If there is a bride,
who is she?"
--> Display at 00:51:18:17
It has to be the woman
who anoints him.
--> Display at 00:51:20:20
And in three Gospels, she's not named, but in John's Gospel,
--> Display at 00:51:24:02
it literally says that the woman who anointed Jesus
--> Display at 00:51:27:22
and wiped his feet with her hair
was Mary, the sister of Lazarus.
--> Display at 00:51:32:17
And she's the same Mary
that shows up
--> Display at 00:51:34:10
in "Holy Blood, Holy Grail"
and the legends
--> Display at 00:51:36:12
they talk about
from the coast of France,
--> Display at 00:51:38:17
where it's Mary,
the sister of Lazarus,
--> Display at 00:51:41:02
who brings the Holy Grail,
the Sangraal, to France.
--> Display at 00:51:45:07
And the way they spell that,
if you divide it after the "G,"
--> Display at 00:51:47:20
it means "the blood royal."
--> Display at 00:51:49:02
The word Sangraal in Old French.
--> Display at 00:51:53:22
If you divide it after the "N,"
--> Display at 00:51:55:20
you have a word
that says "Holy Grail."
--> Display at 00:51:58:07
That would be like dividing the word "Montreal" after the "N."
--> Display at 00:52:02:07
It wouldn't mean
"royal mountain."
--> Display at 00:52:03:17
It would be something unintelligible.
--> Display at 00:52:07:12
But if you divide the same word, Sangraal, after the "G,"
--> Display at 00:52:11:07
it means "blood royal."
--> Display at 00:52:13:02
So the legend says
Mary Magdalene and her friends,
--> Display at 00:52:15:22
traveling in this boat
with no oars,
--> Display at 00:52:17:22
brought the "blood royal"
to the coast of France.
--> Display at 00:52:21:17
And you don't carry the
blood royal in a jar with a lid.
--> Display at 00:52:25:02
It flows in the veins
of a child.
--> Display at 00:52:27:22
So I think the fossil in the legend is the child, actually.
--> Display at 00:52:31:07
What happened to her,
I have no idea.
--> Display at 00:52:33:05
I don't think the genealogies are relevant.
--> Display at 00:52:35:22
I really think the child is there to prove the sacred union
--> Display at 00:52:39:12
of the masculine
and feminine energies,
--> Display at 00:52:41:07
the mythology, if you will,
of the sacred union
--> Display at 00:52:44:02
at the heart
of the Christian story.
--> Display at 00:52:46:07
That the child proves that, rather than anything else
--> Display at 00:52:49:12
that you could think of
that would prove it.
--> Display at 00:52:51:20
We don't have a birth certificate for this girl.
--> Display at 00:52:55:00
If you ask almost anybody
who Mary Magdalene was,
--> Display at 00:52:58:12
they'll say,
"Oh, wasn't she that prostitute
--> Display at 00:53:01:02
who Jesus forgave,
and she sort of tagged along
--> Display at 00:53:03:17
and did the first-century equivalent
--> Display at 00:53:06:12
of making the coffee
for the men?"
--> Display at 00:53:08:17
Sort of hanging around
in the background.
--> Display at 00:53:11:05
Or perhaps if they were familiar
--> Display at 00:53:13:02
with, particularly,
Victorian art,
--> Display at 00:53:15:17
they'd say, "Oh, she's the woman who was forgiven by Jesus,
--> Display at 00:53:19:02
but she still spent the rest of her life blubbing in remorse."
--> Display at 00:53:23:02
Actually,
they always painted her
--> Display at 00:53:25:10
with her clothes hanging off.
--> Display at 00:53:27:07
You can't be remorseful
without being half naked.
--> Display at 00:53:30:17
But the point is that...
--> Display at 00:53:35:02
Well, there's quite
a few points, actually.
--> Display at 00:53:37:17
She's never described in the
New Testament as a prostitute.
--> Display at 00:53:42:22
In fact,
she's rarely described at all.
--> Display at 00:53:45:17
She's only named a few times.
--> Display at 00:53:48:13
The big problem
down through the centuries
--> Display at 00:53:51:05
--> Erase at 00:53:54:19
has been too many Marys.
--> Display at 00:53:56:00
And there
is another Mary of Bethany
--> Display at 00:54:00:12
who washed Jesus' feet
with her hair.
--> Display at 00:54:05:12
And there's another
independent story in Galilee
--> Display at 00:54:08:17
of some prostitute
that washed his feet
--> Display at 00:54:14:07
with her expensive oil and hair.
--> Display at 00:54:19:02
And that anonymous prostitute
--> Display at 00:54:23:15
is identified
with a Mary of Bethany
--> Display at 00:54:25:22
because they both
did the same act,
--> Display at 00:54:27:17
though in different parts
of the country.
--> Display at 00:54:30:12
Mary being Mary, they are identified with Mary Magdalene,
--> Display at 00:54:34:22
about whom there is the record
that Jesus cast
--> Display at 00:54:37:22
six demons from her.
--> Display at 00:54:39:22
And so all of those things
were put together
--> Display at 00:54:42:17
into the medieval identification of Mary Magdalene
--> Display at 00:54:47:02
as the prostitute.
--> Display at 00:54:48:17
There's not a shred
of historical evidence
--> Display at 00:54:52:12
for that false assumption.
--> Display at 00:54:55:02
The Roman Catholic Church,
at the Second Vatican Council,
--> Display at 00:54:59:02
finally renounced
that false idea.
--> Display at 00:55:03:07
The historical evidence for
Mary Magdalene is very small.
--> Display at 00:55:08:02
She's mentioned in all four Gospels with that same epithet,
--> Display at 00:55:12:12
the Magdalene, but there's not
a lot said about her.
--> Display at 00:55:16:07
It said she
was a woman of wealth
--> Display at 00:55:18:07
who supported Jesus by her means
--> Display at 00:55:20:17
with the other women who were supportive of his ministry.
--> Display at 00:55:23:22
And then it says
that she met Jesus at the tomb,
--> Display at 00:55:26:17
resurrected on Easter morning.
--> Display at 00:55:28:22
She also stood at the cross.
--> Display at 00:55:30:22
There are eight lists
--> Display at 00:55:32:22
where several women
are listed in the Gospels.
--> Display at 00:55:35:24
On seven of them, Mary Magdalene is mentioned first.
--> Display at 00:55:40:12
So the scripture never says
this woman was first lady.
--> Display at 00:55:44:02
--> Erase at 00:55:47:14
It just mentions her first
every time except one.
--> Display at 00:55:48:17
I think we can't know exactly anything about her,
--> Display at 00:55:53:22
but what we can see is what
she did by her actions.
--> Display at 00:55:56:15
What did she do?
--> Display at 00:55:57:12
She showed up at the tomb
to mourn her bridegroom
--> Display at 00:56:01:16
and found him resurrected,
--> Display at 00:56:03:07
which in the ancient mythologies is the role of the bride.
--> Display at 00:56:06:22
It's the role
of the bride to anoint
--> Display at 00:56:09:00
and also to meet the risen bridegroom at the tomb.
--> Display at 00:56:12:17
And so, in her role, she lives out the mythology, then,
--> Display at 00:56:17:05
of this sacred union.
--> Display at 00:56:19:12
Historically speaking,
we know little about her,
--> Display at 00:56:21:17
but we know that the mythology is that she was bride.
--> Display at 00:56:25:12
The possibility that Jesus
and Mary Magdalene were married
--> Display at 00:56:31:12
is quite plausible,
rendered more plausible
--> Display at 00:56:35:07
by finding these tantalizing tidbits in the Gnostic Gospels,
--> Display at 00:56:39:12
such as the reference to, Jesus kissed Mary frequently on the,
--> Display at 00:56:44:15
--> Erase at 00:56:48:06
perhaps the word is "mouth"
in Coptic.
--> Display at 00:56:50:07
There's a lot
of interesting hints
--> Display at 00:56:52:17
that this may have been
the case.
--> Display at 00:56:56:02
If the Priory of Sion
is meant to be a metaphor
--> Display at 00:56:59:05
for this important
and powerful secret
--> Display at 00:57:02:07
that Jesus
was really a human being,
--> Display at 00:57:05:07
that he was
a mortal human being,
--> Display at 00:57:06:20
that he was an important historical character,
--> Display at 00:57:10:02
that he came
out of Jewish tradition,
--> Display at 00:57:11:22
that he was probably married,
--> Display at 00:57:13:07
that he, following
the biblical injunction
--> Display at 00:57:17:02
to go forth and be fruitful
and multiply,
--> Display at 00:57:19:17
probably had children,
--> Display at 00:57:23:02
and that some history of those descendants is now lost to us,
--> Display at 00:57:28:22
well, that's
a very interesting story.
--> Display at 00:57:31:02
I don't know of anyone,
--> Display at 00:57:34:20
British nobility,
Japanese nobility,
--> Display at 00:57:40:07
--> Erase at 00:57:44:19
who can actually trace their bloodline back 2,000 years.
--> Display at 00:57:45:12
If Jesus had descendants,
--> Display at 00:57:48:07
I think they
would be untraceable today.
--> Display at 00:57:52:02
--> Erase at 00:57:57:10
They may have been traceable, 200 A.D., 300 A.D.
--> Display at 00:57:58:07
--> Erase at 00:58:01:12
But they
would not be traceable today.
--> Display at 00:58:03:00
I've been told that the authors of "Holy Blood, Holy Grail"
--> Display at 00:58:06:16
didn't know exactly what it was they were looking for,
--> Display at 00:58:10:12
and they weren't sure
that the bloodline
--> Display at 00:58:12:20
existed themselves at first.
--> Display at 00:58:16:02
But I think what happened was they were so steeped
--> Display at 00:58:18:17
in the mythologies
and the legends,
--> Display at 00:58:20:22
in the scriptures
and in the medieval art,
--> Display at 00:58:25:02
that one day they looked
at each other,
--> Display at 00:58:27:02
and it just came to them
in a flash.
--> Display at 00:58:29:05
Like, "Eureka!
We've got it."
--> Display at 00:58:31:07
I think what happened was they're talking
--> Display at 00:58:33:17
about the bloodline of Jesus.
--> Display at 00:58:36:07
And then they wrote their book
--> Display at 00:58:37:22
based on that intuition
that they had,
--> Display at 00:58:40:07
but that it was derived
from their study of the art,
--> Display at 00:58:44:00
the legend, the myths, and
all of their medieval studies,
--> Display at 00:58:48:10
you might say.
--> Display at 00:58:49:12
All gathering momentum
as they went
--> Display at 00:58:52:10
and finally pointing them
to this particular conclusion.
--> Display at 00:58:55:17
I don't think it was made
in a vacuum,
--> Display at 00:58:57:02
and I certainly don't think
it was an accident.
--> Display at 00:58:59:05
I think they
were on to something,
--> Display at 00:59:01:00
but maybe they didn't even know where they got the idea.
--> Display at 00:59:04:03
When they passed it around,
they realized
--> Display at 00:59:06:02
that it fit all the scenarios that they had envisioned here
--> Display at 00:59:09:22
and that they realized
that the key to the whole story
--> Display at 00:59:13:00
was this lost bride thing.
--> Display at 00:59:15:01
But when I read their book,
I said to myself,
--> Display at 00:59:19:07
"Oh, my gosh, this piece
that's been lost all this time
--> Display at 00:59:23:22
is something my prayer community and I have been praying over."
--> Display at 00:59:26:15
We had been shown
there was a missing piece
--> Display at 00:59:28:07
from the foundations
of the Church.
--> Display at 00:59:30:02
We didn't know what it was, but we were told to search for it.
--> Display at 00:59:33:07
And when I realized what
was lost here was the bride,
--> Display at 00:59:36:17
everybody talked about the bridegroom without the bride.
--> Display at 00:59:39:05
What's a bridegroom
without a bride?
--> Display at 00:59:41:05
I went off
searching for the bride
--> Display at 00:59:43:00
and realizing that the key
to the whole thing
--> Display at 00:59:45:17
was the anointing at Bethany
by the woman,
--> Display at 00:59:49:22
who then later
carries the chalice,
--> Display at 00:59:51:22
or what we know
to be the Holy Grail,
--> Display at 00:59:55:02
as a child
to the shores of France.
--> Display at 00:59:57:22
So that connection
came to me out of scripture
--> Display at 01:00:00:15
and out of my prayer community and my own prayer life,
--> Display at 01:00:04:02
connecting to reinforce
what I had discovered
--> Display at 01:00:07:07
in "Holy Blood, Holy Grail,"
which I thought was blasphemous.
--> Display at 01:00:10:10
But when I discovered
that it was tied in
--> Display at 01:00:12:17
with what we'd been shown
was the missing piece,
--> Display at 01:00:15:07
it wasn't blasphemy,
but it was truth.
--> Display at 01:00:17:12
As I say, in Matthew, Mark, Luke, and John,
--> Display at 01:00:19:22
--> Erase at 01:00:22:13
Mary Magdalene barely exists.
--> Display at 01:00:23:02
In these other Gospels,
she's the star.
--> Display at 01:00:27:02
Apart from Jesus, Mary's there, absolutely dead center.
--> Display at 01:00:32:02
Jesus defers to Mary.
--> Display at 01:00:35:05
She even gets him to change...
--> Display at 01:00:37:02
In one of these other Gospels,
--> Display at 01:00:39:07
--> Erase at 01:00:42:17
she even gets him
to change his teaching.
--> Display at 01:00:43:07
She is feisty.
--> Display at 01:00:45:10
She's assertive.
--> Display at 01:00:47:07
She's certainly not...
--> Display at 01:00:49:17
The Church has used her
over the centuries
--> Display at 01:00:51:20
as a sort of brand name
for female shame.
--> Display at 01:00:54:17
--> Erase at 01:00:58:07
And she's actually the least ashamed woman in history.
--> Display at 01:00:59:02
She actually annoyed
the male disciples very much
--> Display at 01:01:02:00
because she had such power
over Jesus.
--> Display at 01:01:03:23
These other Gospels
make very clear.
--> Display at 01:01:06:07
One thing I want to say for sure in here is that
--> Display at 01:01:09:00
I have twin pillars
for my research.
--> Display at 01:01:11:17
And none of them are
from the Nag Hammadi Gospels.
--> Display at 01:01:14:07
But the Nag Hammadi Gospels state...
--> Display at 01:01:16:07
In the Gospel of Philip, it states that Jesus was married,
--> Display at 01:01:19:17
or that Mary Magdalene was
his intimate partner or consort.
--> Display at 01:01:23:17
That word has sexual overtones.
--> Display at 01:01:26:02
The "koinonos"
that they use there
--> Display at 01:01:28:10
has overtones
of being intimate partnership.
--> Display at 01:01:31:20
It says, "The intimate companion of Jesus is Mary Magdalene."
--> Display at 01:01:36:10
And he used to kiss her often,
--> Display at 01:01:39:00
and the other Apostles
are jealous of their intimacy.
--> Display at 01:01:42:02
It is said that Martin Luther,
at the time of the Reformation,
--> Display at 01:01:47:07
suggested that Jesus and Mary were married.
--> Display at 01:01:50:07
And there's some bits which make it extremely clear
--> Display at 01:01:53:12
as to why the Church
did not want these books
--> Display at 01:01:57:07
in the New Testament.
--> Display at 01:01:58:17
In, I think,
the Gospel of Thomas,
--> Display at 01:02:01:20
disciples go to Jesus,
and they say,
--> Display at 01:02:04:18
"Lord, why do you love her
more than you love us?
--> Display at 01:02:07:17
Why are you always kissing her on the mouth?"
--> Display at 01:02:10:07
--> Erase at 01:02:13:14
And you think,
"Why do you think, you fool?"
--> Display at 01:02:15:12
--> Erase at 01:02:21:01
And there's a lot of this
in these forbidden books.
--> Display at 01:02:21:12
And it made Clive and I realize that there's a lot more
--> Display at 01:02:28:15
to the choosing of these Magdalene-unfriendly Gospels
--> Display at 01:02:33:17
going into the New Testament than you might think.
--> Display at 01:02:37:17
And also, Mary Magdalene is...
--> Display at 01:02:42:00
I actually believe,
--> Display at 01:02:43:12
and I know this is a most
astonishing statement,
--> Display at 01:02:46:22
but I think she's
the most important woman
--> Display at 01:02:49:12
in world history.
--> Display at 01:02:50:22
Not for what she said or did, particularly,
--> Display at 01:02:53:05
but because of the reason
that the Church fathers
--> Display at 01:02:55:22
were so afraid of her image
from these other Gospels,
--> Display at 01:02:59:22
from the forbidden Gospels.
--> Display at 01:03:02:02
They really knew
what she was really like.
--> Display at 01:03:04:17
That she was powerful,
that Jesus loved her,
--> Display at 01:03:07:00
that Jesus almost certainly slept with her,
--> Display at 01:03:09:20
whether it was merely a ritual,
sacred sex thing,
--> Display at 01:03:12:12
--> Erase at 01:03:16:17
or it was the usual passion.
--> Display at 01:03:17:02
But they knew
she had power over him.
--> Display at 01:03:19:07
They didn't want the women
in their churches
--> Display at 01:03:21:17
getting uppity
and acting like her.
--> Display at 01:03:24:02
So the whole of history,
--> Display at 01:03:26:15
the way that the Church
has treated its women
--> Display at 01:03:31:02
--> Erase at 01:03:34:21
is actually because of their terror of Mary Magdalene.
--> Display at 01:03:36:02
In Leonardo's "Last Supper,"
--> Display at 01:03:39:02
this Magdalene figure,
this very feminine figure,
--> Display at 01:03:43:17
is leaning away from Jesus rather pointedly.
--> Display at 01:03:48:02
And Saint Peter, his hand
is slicing across her neck.
--> Display at 01:03:54:02
And he's sort of staring at her or slightly past her
--> Display at 01:03:57:20
in this rather horrible way,
--> Display at 01:03:59:17
which is very interesting because in the lost Gospels,
--> Display at 01:04:05:12
many of which have been recovered and translated,
--> Display at 01:04:08:20
one of the things
that comes out very strongly
--> Display at 01:04:11:10
is that Saint Peter
hated Mary Magdalene.
--> Display at 01:04:14:23
Peter told her to shut up.
--> Display at 01:04:16:05
She didn't have
any special revelation.
--> Display at 01:04:18:07
And then another disciple,
Levi, saying,
--> Display at 01:04:20:15
"If Jesus told her something special, we ought to listen."
--> Display at 01:04:23:12
So that this back and forth is there in the Nag Hammadi text.
--> Display at 01:04:29:07
So that you can sense some restiveness on the part of women
--> Display at 01:04:35:07
over against the male hierarchy.
--> Display at 01:04:37:17
Why would people have made up the rivalry of Peter and Mary?
--> Display at 01:04:44:02
Why would someone
in that time period
--> Display at 01:04:47:15
have written Peter
as a jealous character?
--> Display at 01:04:52:12
Why would someone
who was just writing a story
--> Display at 01:04:56:07
have suggested that Jesus
may have left his ministry
--> Display at 01:05:00:20
and his work to Mary?
--> Display at 01:05:03:12
What about the world view
of that time
--> Display at 01:05:06:22
would lead people to make that up if that was not their belief?
--> Display at 01:05:10:15
Now, I'm not saying
that's what happened,
--> Display at 01:05:13:00
but I do think the people
who wrote these things
--> Display at 01:05:15:15
believed what they wrote.
--> Display at 01:05:17:20
And I find it interesting
--> Display at 01:05:19:04
that we have some of these interesting little tidbits,
--> Display at 01:05:23:02
which I thoroughly emphasize
--> Display at 01:05:25:20
are not contemporaneous historical documents,
--> Display at 01:05:28:17
but are written
several hundred years later.
--> Display at 01:05:31:00
But it's fascinating
to think that people
--> Display at 01:05:33:02
in 300 A.D., 400 A.D.
--> Display at 01:05:35:12
were impugning motives
of jealousy to Peter,
--> Display at 01:05:39:02
were talking about
--> Display at 01:05:41:05
whether the Church
should be left to a woman,
--> Display at 01:05:43:17
were talking about what this kiss is between Jesus and Mary.
--> Display at 01:05:48:01
And there's a lot of debate.
--> Display at 01:05:49:20
In one of the Gospels,
he actually says to Jesus,
--> Display at 01:05:53:07
"Let Mary leave us, for women are not worthy of life."
--> Display at 01:05:58:02
And in a later text, it actually has her going to Jesus
--> Display at 01:06:02:10
and saying,
"Peter has threatened me.
--> Display at 01:06:06:07
He's threatened my life,
--> Display at 01:06:09:22
for he hates me
and all the race of women."
--> Display at 01:06:14:12
And I think
that's so interesting
--> Display at 01:06:16:07
because that clash
of personalities
--> Display at 01:06:21:22
prefigures what actually
was to happen
--> Display at 01:06:25:12
with the hugely misogynist Church of Rome
--> Display at 01:06:28:07
and their notorious attitude
to women.
--> Display at 01:06:31:12
--> Erase at 01:06:34:08
It started with its founder.
--> Display at 01:06:35:17
--> Erase at 01:06:43:12
I think Mary Magdalene was
the outstanding female disciple.
--> Display at 01:06:44:02
And that is very important, particularly in our latter day
--> Display at 01:06:50:02
when women are not supposed
to be ordained
--> Display at 01:06:53:02
because none of the 12 Apostles were female.
--> Display at 01:06:57:02
Well, over against that, there were women in the inner circle,
--> Display at 01:07:02:22
--> Erase at 01:07:06:24
and this is very important.
--> Display at 01:07:07:17
Well, let me put it simply.
--> Display at 01:07:10:12
All of the 12 Apostles
were male.
--> Display at 01:07:14:12
All 12 were Jews.
--> Display at 01:07:17:12
All 12 lived in the Holy Land.
--> Display at 01:07:22:07
There wasn't
a single Gentile Apostle.
--> Display at 01:07:25:12
--> Erase at 01:07:28:01
Nobody from Poland.
--> Display at 01:07:28:12
--> Erase at 01:07:30:11
So what?
--> Display at 01:07:31:17
So that this is just
pure Church propaganda.
--> Display at 01:07:36:22
And over against that,
we ought to emphasize
--> Display at 01:07:42:10
that Jesus gave women a prominent role in his ministry.
--> Display at 01:07:49:10
There are records of women accompanying the male disciples
--> Display at 01:07:57:02
and providing food and funds
--> Display at 01:08:01:02
and performing the rites
that are reserved for women.
--> Display at 01:08:06:12
Mary Magdalene's prominence
is not at all surprising.
--> Display at 01:08:13:12
Dan Brown,
through "The Da Vinci Code,"
--> Display at 01:08:15:12
is calling our attention
to facts
--> Display at 01:08:19:10
like Mary Magdalene
may have been a partner
--> Display at 01:08:25:17
in the creation
of the Christian belief.
--> Display at 01:08:29:07
She may have been
the chosen follower of Jesus
--> Display at 01:08:33:00
to be the Apostle
to the Apostles and so on.
--> Display at 01:08:36:12
It may not have been
so extraordinary
--> Display at 01:08:38:15
in that time period to have had female religious leaders.
--> Display at 01:08:43:10
There's nothing
in the New Testament
--> Display at 01:08:45:22
that says that priests
should be men.
--> Display at 01:08:49:17
There, in fact, is this rather unusual line which,
--> Display at 01:08:52:17
when you think about it,
--> Display at 01:08:54:02
starts to sound like it was inserted in there about Peter,
--> Display at 01:08:57:15
"Upon this rock,
I build my Church."
--> Display at 01:09:00:11
I think maybe
the colleagues of Peter
--> Display at 01:09:04:02
wanted to make sure
that the legitimacy of Peter
--> Display at 01:09:08:00
was put in there, and why
would they need to do that?
--> Display at 01:09:10:17
Because maybe
some people thought
--> Display at 01:09:12:22
that Jesus intended to leave
his following to Mary.
--> Display at 01:09:17:07
Mary Magdalene has,
of course, been a big factor
--> Display at 01:09:22:17
in the feminist movement.
--> Display at 01:09:25:17
The feminists have been eager
to distance her
--> Display at 01:09:29:00
from any taint
as to her morality
--> Display at 01:09:33:10
and to emphasize the importance she had for Jesus
--> Display at 01:09:39:08
in his ministry.
--> Display at 01:09:41:02
Dan Brown does
a very agent provocateur job
--> Display at 01:09:45:17
of presenting the notion that perhaps these antimaterialistic,
--> Display at 01:09:53:22
Jewish, charismatic leaders,
--> Display at 01:09:57:15
Jesus, Mary, and the other
early creators of Christianity,
--> Display at 01:10:03:07
had a very different world view than the Romans of Constantine,
--> Display at 01:10:08:05
basically pagan sun worshippers,
--> Display at 01:10:11:00
who became the editors
of the Christian Bible,
--> Display at 01:10:14:02
who became the decision makers about how Christianity
--> Display at 01:10:17:02
should be practiced
in Roman and medieval Europe,
--> Display at 01:10:21:12
very much divorced from
the culture of the desert people
--> Display at 01:10:26:12
to whom Jesus spoke.
--> Display at 01:10:28:17
So Dan Brown sets us all up
for that discussion and debate,
--> Display at 01:10:33:17
and I think that
people today find that
--> Display at 01:10:36:07
a very interesting debate
to engage in.
--> Display at 01:10:38:18
The other Gospels
that were basically banned
--> Display at 01:10:42:20
in the 4th century
by the emerging church
--> Display at 01:10:47:18
who was trying standardize
its beliefs.
--> Display at 01:10:51:05
These other Gospels were hidden, which actually is interesting,
--> Display at 01:10:55:10
'cause it makes them purer
than the ones that we've had
--> Display at 01:10:58:13
that have been subjected endless editing and changing and so on.
--> Display at 01:11:03:11
In 1958, a letter was discovered in a monastery near Jerusalem
--> Display at 01:11:07:10
which had been written
by Bishop Clement of Alexandria,
--> Display at 01:11:11:20
in which he requested
the receiver of the letter,
--> Display at 01:11:14:13
Theodore, to omit two parts
from the Book of Mark
--> Display at 01:11:19:10
which were inconvenient
to the Roman Catholic Church.
--> Display at 01:11:22:05
The first part was the part which describes Lazarus
--> Display at 01:11:28:00
crying out from the tomb, when, in fact, he was supposed to be,
--> Display at 01:11:33:10
according to our present version of the Bible, dead.
--> Display at 01:11:37:10
If he was dead,
he obviously couldn't cry out.
--> Display at 01:11:39:23
What actually happened
as far as Lazarus was concerned
--> Display at 01:11:43:20
was that he had been excommunicated.
--> Display at 01:11:46:05
The rules
for excommunication were
--> Display at 01:11:48:03
that if you were not delivered within a period of four days,
--> Display at 01:11:52:10
then your soul was banished
to hell forevermore.
--> Display at 01:11:56:10
On the third day, Jesus Christ got to hear about this
--> Display at 01:12:00:00
and was going to release Lazarus from this banishment of his soul
--> Display at 01:12:07:05
and therefore restore him
to life, effectively.
--> Display at 01:12:11:05
The way this story
is depicted in the Bible
--> Display at 01:12:13:10
is that Jesus Christ
actually physically
--> Display at 01:12:17:00
restored life to Lazarus,
his physical body,
--> Display at 01:12:20:15
whereas, in fact,
it was his soul.
--> Display at 01:12:22:20
But Bishop Clement of Alexandria saw this as being rather
--> Display at 01:12:27:18
out of kilter with the rest
of Christian belief.
--> Display at 01:12:32:15
The other part
of the Gospel of Mark
--> Display at 01:12:34:20
which Bishop Clement
of Alexandria wanted omitted
--> Display at 01:12:38:20
was when Jesus and his disciples
--> Display at 01:12:40:20
visit the house
of Mary and Martha.
--> Display at 01:12:43:15
Mary is depicted as being hesitant in leaving the house.
--> Display at 01:12:48:05
What, in fact, happened was,
--> Display at 01:12:49:23
according to the original
Book of Mark,
--> Display at 01:12:52:05
was that Mary actually
stepped outside of the house
--> Display at 01:12:55:15
when Jesus Christ arrived.
--> Display at 01:12:58:10
The disciples told her
to go back inside
--> Display at 01:13:01:10
because women were only allowed to leave the house
--> Display at 01:13:04:00
when their husbands
gave them permission.
--> Display at 01:13:06:13
So this was another indication
--> Display at 01:13:08:10
that Mary Magdalene
was married to Jesus Christ.
--> Display at 01:13:11:22
So I think that
what we can say is that,
--> Display at 01:13:15:00
although Jesus was a person
of his own day and age
--> Display at 01:13:18:15
and we should not modernize him inappropriately,
--> Display at 01:13:23:10
still he was more open to the role of women in his activity
--> Display at 01:13:32:13
than were his disciples
and the hierarchy
--> Display at 01:13:35:23
that gradually emerged
of an all-male kind.
--> Display at 01:13:40:20
When I went back to investigate the anointing,
--> Display at 01:13:45:05
I found that in the ancient cult it had sexual connotations
--> Display at 01:13:48:15
and that the anointing
by a woman was a marriage rite
--> Display at 01:13:52:05
in the ancient cults of
the sacrificed bridegroom king.
--> Display at 01:13:55:13
And in those cults,
the anointing nuptials occur.
--> Display at 01:13:59:20
The woman actually chooses
her consort, anoints him.
--> Display at 01:14:04:10
They celebrate their union
in the bridal chamber,
--> Display at 01:14:07:05
and their whole realm rejoices
--> Display at 01:14:09:03
because the joy
from the chamber spreads out
--> Display at 01:14:11:05
into the crops and herds.
--> Display at 01:14:12:18
And so the whole nation celebrates
--> Display at 01:14:16:10
with rituals
celebrating this union,
--> Display at 01:14:19:13
which is the life-force
they're celebrating.
--> Display at 01:14:21:23
It's not about male/female.
--> Display at 01:14:23:05
It's about the life-force
and the recycling of the nature,
--> Display at 01:14:29:05
the resurrection and then
the dying off of vegetation.
--> Display at 01:14:32:10
It's a whole vegetation cult,
--> Display at 01:14:34:10
but it's celebrated
in these ancient symbiosis.
--> Display at 01:14:38:20
Celebrated, I guess,
in Osiris and Isis, that cult,
--> Display at 01:14:41:15
also, Tammuz and Ishtar,
--> Display at 01:14:43:10
Dumuzi and Inanna,
way back in Sumer.
--> Display at 01:14:45:15
They had many,
many goddess couples
--> Display at 01:14:48:05
which manifested
this celebration
--> Display at 01:14:51:10
of the recycling of life.
--> Display at 01:14:53:10
So, when I realized that,
--> Display at 01:14:54:18
then I looked
at the later ramifications.
--> Display at 01:14:58:01
In this cult, the bridegroom celebrates with his wife,
--> Display at 01:15:02:05
his bride, his sister bride.
--> Display at 01:15:04:05
And then later he's sacrificed, mutilated, tortured, executed,
--> Display at 01:15:08:10
laid in a tomb.
--> Display at 01:15:10:00
Usually after a pause
of about three days,
--> Display at 01:15:14:20
his bride goes to the tomb to seek him or to mourn his death
--> Display at 01:15:19:10
and finds him resurrected.
--> Display at 01:15:21:20
And when I read about
these goddess cults,
--> Display at 01:15:24:03
I thought, "My goodness.
--> Display at 01:15:25:08
This is the exact same story that we find in the Gospels."
--> Display at 01:15:28:18
And everybody
in Roman times knew it
--> Display at 01:15:31:00
because the Roman Empire
still celebrated these cults
--> Display at 01:15:33:20
in various domains
around the area.
--> Display at 01:15:37:15
And so they were all cognizant and would recognize right away
--> Display at 01:15:43:05
this liturgy, really,
of the sacrificed bridegroom.
--> Display at 01:15:46:10
The nuptials, the anointing,
--> Display at 01:15:48:05
and then later the death
and resurrection.
--> Display at 01:15:50:24
I was terribly shocked
when I first discovered
--> Display at 01:15:54:00
that Jesus was only one
of many dying-and-rising gods
--> Display at 01:16:00:05
that proliferated and had done
for hundreds of years,
--> Display at 01:16:04:05
thousands of years
before he was born
--> Display at 01:16:06:10
in the general area
of the Mediterranean.
--> Display at 01:16:09:00
--> Erase at 01:16:13:22
There was Dionysius,
Thamus, Adonis.
--> Display at 01:16:14:10
There was, of course,
the great Egyptian god Osiris,
--> Display at 01:16:18:00
who most resembles Jesus
in many respects,
--> Display at 01:16:21:03
or it's the other way around, Jesus resembles Osiris.
--> Display at 01:16:25:05
And Osiris was the consort
--> Display at 01:16:28:15
of the beautiful
mother goddess Isis,
--> Display at 01:16:34:15
who was also the goddess
of magic and sexual magic.
--> Display at 01:16:39:15
And the priestesses
of Isis would enact.
--> Display at 01:16:45:20
They would become,
in a holy ritual of sacred sex,
--> Display at 01:16:50:05
they would become the goddess.
--> Display at 01:16:52:10
And some chap off the street would go into the temple
--> Display at 01:16:55:15
--> Erase at 01:16:57:22
and have sex with them.
--> Display at 01:16:58:15
The idea was the men would become spiritually enlightened
--> Display at 01:17:04:15
simply by having sex
with the priestess
--> Display at 01:17:07:00
who temporarily had become possessed by the goddess
--> Display at 01:17:09:18
or became the goddess.
--> Display at 01:17:11:15
The interesting thing
is that the women
--> Display at 01:17:13:18
wouldn't have to do this
because women,
--> Display at 01:17:16:10
according to the Isis religion,
--> Display at 01:17:18:20
were not only
sexually enlightened,
--> Display at 01:17:21:00
but spiritually enlightened just by the nature of being women.
--> Display at 01:17:24:15
--> Erase at 01:17:28:02
Totally the opposite
of Christianity.
--> Display at 01:17:28:20
Now, you have Jesus,
the only dying-and-rising god,
--> Display at 01:17:34:15
who, according
to the Christian Church,
--> Display at 01:17:37:00
who doesn't have a consort,
--> Display at 01:17:39:03
who doesn't have a magical, feminine balancing presence.
--> Display at 01:17:43:10
But if you look at the forbidden Gospels, there she is.
--> Display at 01:17:47:19
And also, very interestingly,
in the story of the risen Jesus,
--> Display at 01:17:52:15
more or less bumping into
Mary Magdalene in the garden,
--> Display at 01:17:56:20
and she doesn't recognize him through her tears,
--> Display at 01:17:59:15
and he says,
"Why are you weeping?"
--> Display at 01:18:01:10
And she says,
"They've taken my Lord,
--> Display at 01:18:03:03
and I don't know
where they put him."
--> Display at 01:18:05:00
And that is actually
the Osirian mystery plays.
--> Display at 01:18:09:20
Every year the worshippers
of Osiris and Isis
--> Display at 01:18:14:15
enacted their mystery play,
--> Display at 01:18:17:05
where the god
had actually been torn to pieces
--> Display at 01:18:19:23
by the wicked god Set.
--> Display at 01:18:22:15
And bits of his body
had been scattered everywhere.
--> Display at 01:18:25:18
Isis goes weeping throughout
the land trying to find them
--> Display at 01:18:29:00
and magically reassemble them.
--> Display at 01:18:31:00
And the priest says,
--> Display at 01:18:33:23
"Woman, what ails thee?
Why are you weeping?"
--> Display at 01:18:36:13
She says,
"They've taken my Lord,
--> Display at 01:18:37:20
and I know not
where they put him."
--> Display at 01:18:39:15
It's Egypt, Egypt, Egypt, dying-and-rising-god myth.
--> Display at 01:18:44:05
And a lot of people have...
--> Display at 01:18:46:15
Several scholars and commentators have thought
--> Display at 01:18:51:03
that there's so much paganism and so much Egyptianism
--> Display at 01:18:56:05
in the New Testament
that it must mean
--> Display at 01:18:59:10
that basically Jesus
never existed,
--> Display at 01:19:01:15
that he was just created
as another dying-and-rising god.
--> Display at 01:19:06:20
But there was absolutely
no need to do that.
--> Display at 01:19:10:10
We think there is
so much more evidence that shows
--> Display at 01:19:14:00
that actually Jesus and Mary were of that religion
--> Display at 01:19:18:13
or an offshoot of that religion,
which may also tie in closely
--> Display at 01:19:23:00
with a very, very ancient form of Judaism,
--> Display at 01:19:25:23
which was goddess worshipping.
--> Display at 01:19:28:01
The whole point to me is that there is only one model for life
--> Display at 01:19:33:20
that really works on
this planet, and that's union.
--> Display at 01:19:36:23
And so,
if you're not teaching that...
--> Display at 01:19:42:10
What we have in Christianity
is a celibate god
--> Display at 01:19:45:03
and a virgin mother
together in the bridal chamber.
--> Display at 01:19:49:05
No wonder we have
a dysfunctional family.
--> Display at 01:19:52:00
It's incredible
that a model like that
--> Display at 01:19:54:15
would not produce
some aberration,
--> Display at 01:19:58:10
and that's because...
--> Display at 01:20:01:05
--> Erase at 01:20:03:20
It's as above, so below.
--> Display at 01:20:10:15
Well, my impression
of Constantine
--> Display at 01:20:13:03
is a fascinating character
in history
--> Display at 01:20:15:05
and one who is not really
very well understood.
--> Display at 01:20:18:20
A general student of the last 2,000 years of history.
--> Display at 01:20:22:20
If you've taken
a world history class,
--> Display at 01:20:25:10
one has the impression that Constantine is this great guy
--> Display at 01:20:28:15
who converts to Christianity,
--> Display at 01:20:31:13
who discovers the importance
of Christianity,
--> Display at 01:20:35:00
and brings Christianity
to the Roman Empire.
--> Display at 01:20:38:08
It's unclear that Constantine ever converted to Christianity,
--> Display at 01:20:42:00
and if he did so, probably
it was on his deathbed.
--> Display at 01:20:45:15
His greatest interest
in Christianity
--> Display at 01:20:48:03
apparently was aroused when he, as a very superstitious pagan,
--> Display at 01:20:53:15
found that some of his soldiers who were Christians,
--> Display at 01:20:56:10
who were carrying a cross
on their shield,
--> Display at 01:20:59:10
didn't die in battle
and weren't wounded,
--> Display at 01:21:02:05
and he became interested
in whether this cross
--> Display at 01:21:04:15
--> Erase at 01:21:08:09
had actually protected them
or not.
--> Display at 01:21:08:20
He set about expanding Roman power in that time period,
--> Display at 01:21:14:15
and I believe he and his advisers saw in Christianity
--> Display at 01:21:18:15
and monotheism, really, a very powerful set of political ideas
--> Display at 01:21:26:05
with which to unite
the disparate Empire.
--> Display at 01:21:30:10
And he saw great potential
--> Display at 01:21:32:18
in bringing together
emperor and pope
--> Display at 01:21:36:05
and being able to control
a world
--> Display at 01:21:39:09
stretching from Ireland
to Turkey and beyond
--> Display at 01:21:45:18
with a single belief system
--> Display at 01:21:48:13
that found resonance
with the populous.
--> Display at 01:21:52:15
And so, finally,
Constantine wised up.
--> Display at 01:21:57:05
He had an army,
--> Display at 01:21:59:10
the majority of whose
foot soldiers were Christians.
--> Display at 01:22:05:05
And they didn't want to fight
a pagan emperor's wars.
--> Display at 01:22:09:10
They didn't want to fight
to start with.
--> Display at 01:22:10:23
They were pacifists.
--> Display at 01:22:12:18
And so he had this convenient vision of a cross in the sky,
--> Display at 01:22:19:00
saying, "This is the sign
in which you will conquer."
--> Display at 01:22:22:10
And he announced that good news to his soldiers,
--> Display at 01:22:26:05
most of whom were Christians, and so they decided to fight.
--> Display at 01:22:31:05
And so Constantine had
a fighting army
--> Display at 01:22:34:13
and won the battle.
--> Display at 01:22:36:20
So that, in a certain sense,
--> Display at 01:22:39:03
there are rather cynical, realistic ways of understanding
--> Display at 01:22:43:18
this whole process.
--> Display at 01:22:45:11
When Constantine was faced
with the possibility
--> Display at 01:22:48:23
of Christianity
increasing its influence,
--> Display at 01:22:52:15
he jumped on the bandwagon.
--> Display at 01:22:55:05
In fact, his father had jumped on the bandwagon
--> Display at 01:22:57:20
as a supporter of Christianity.
--> Display at 01:23:00:00
And one of the reasons
was that the existing religions
--> Display at 01:23:04:10
of the time, which
were Sol Invictus and Mithraism,
--> Display at 01:23:07:18
had similarities to Christianity
--> Display at 01:23:09:18
so that all three could blend together into something
--> Display at 01:23:13:00
which he could lead at the same time as satisfying the people.
--> Display at 01:23:17:00
Constantine saw the opportunity
--> Display at 01:23:18:20
to blend all
the religions together.
--> Display at 01:23:21:03
At the same time,
he didn't want to change
--> Display at 01:23:23:10
what had been the holidays
of Mithraism and Sol Invictus
--> Display at 01:23:27:15
to the holidays which existed
in Christianity.
--> Display at 01:23:31:05
Previous to Constantine,
--> Display at 01:23:33:20
the date which celebrated Christ's birth
--> Display at 01:23:37:00
was January the 6th.
--> Display at 01:23:38:20
But in order to pacify,
--> Display at 01:23:41:15
or in order to blend
the religions further,
--> Display at 01:23:44:10
he brought about
Christmas Day occurring
--> Display at 01:23:47:23
on the 25th of December,
--> Display at 01:23:50:05
which was the old Mithraist
and Sol Invictus celebration
--> Display at 01:23:54:03
of the rebirth of the sun.
--> Display at 01:23:56:15
He introduced a version
of Christianity
--> Display at 01:23:59:13
which also played on many
of his pagan beliefs.
--> Display at 01:24:02:20
For example, his thought
that he was a worshipper
--> Display at 01:24:06:05
of the sun god Mithras,
and it is thought that Mithras
--> Display at 01:24:09:20
in that tradition's
belief system
--> Display at 01:24:14:20
has a birthday around the time of the winter solstice,
--> Display at 01:24:19:05
i.e., around December 25th.
--> Display at 01:24:22:15
There's nothing about December 25th in the New Testament.
--> Display at 01:24:25:10
Then the next holiday
he had to deal with was Easter.
--> Display at 01:24:29:00
And, in fact,
there was a celebration held
--> Display at 01:24:32:03
under Mithraism
and Sol Invictus,
--> Display at 01:24:34:05
which was called "Estre."
--> Display at 01:24:36:05
So he basically hijacked
that festival as well
--> Display at 01:24:41:15
and brought about
--> Display at 01:24:43:13
it celebrating the death
and rebirth of Jesus Christ.
--> Display at 01:24:47:20
The actual dating, though, of Easter as a permanent fixture,
--> Display at 01:24:52:13
they tried to sort out
at the Council of Nicaea.
--> Display at 01:24:55:20
They weren't able to come
to an agreement,
--> Display at 01:24:58:00
which is why we now have Easter on the first Sunday
--> Display at 01:25:01:05
after the first full moon
after the vernal equinox.
--> Display at 01:25:04:19
The Roman interpretation
of Christianity
--> Display at 01:25:07:15
merges these ideas
and these traditions,
--> Display at 01:25:10:10
and so we end up sometime
--> Display at 01:25:12:05
in the post-Constantine period of the Church
--> Display at 01:25:15:18
deciding that December 25th
--> Display at 01:25:18:08
is, in effect,
the birthday of Jesus Christ,
--> Display at 01:25:22:05
when there's no suggestion
or hint of that
--> Display at 01:25:25:05
--> Erase at 01:25:28:06
in biblical literature.
--> Display at 01:25:29:00
When Dan Brown
makes his suggestion
--> Display at 01:25:32:15
that this great cover-up
has gone on,
--> Display at 01:25:35:20
that these true early Christian beliefs have been replaced
--> Display at 01:25:39:05
with all these pagan ideas
--> Display at 01:25:41:10
and pagan symbols
and sun-god imagery,
--> Display at 01:25:45:20
a lot of people get nervous
--> Display at 01:25:48:08
and become instinctively critical of "The Da Vinci Code."
--> Display at 01:25:54:08
But I think Dan Brown's on pretty good historical footing
--> Display at 01:25:58:05
with some of these suggestions, at least writ large.
--> Display at 01:26:02:00
His detail may be wrong
--> Display at 01:26:03:20
or may be designed to serve
his fast-paced plot.
--> Display at 01:26:08:00
But the big-picture question
of how Constantine
--> Display at 01:26:12:23
and subsequent Roman emperors
reshaped Christianity
--> Display at 01:26:17:19
to serve their own purpose of political theory for the Empire
--> Display at 01:26:21:14
is a powerful and, I think,
largely valid argument.
--> Display at 01:26:26:05
So he ordered that all documents referring to the Gospels
--> Display at 01:26:30:10
before the 4th century,
the era in which he lived,
--> Display at 01:26:33:10
be destroyed,
--> Display at 01:26:34:15
whether they were written
by pagan writers or whoever.
--> Display at 01:26:37:10
And the Gospels were then rewritten from this point.
--> Display at 01:26:40:15
The four accepted Gospels
that are in the New Testament
--> Display at 01:26:44:18
that everyone agrees are part
of the New Testament heritage.
--> Display at 01:26:51:20
All of the archaeologists,
--> Display at 01:26:55:00
serious, independent
biblical scholars,
--> Display at 01:26:58:20
linguists, et cetera, believe that those four documents
--> Display at 01:27:04:00
were written, at their earliest,
--> Display at 01:27:06:13
30 or 40 years
after the death of Jesus
--> Display at 01:27:10:00
and at their latest,
--> Display at 01:27:11:05
perhaps 100 or 120 years
after the death of Jesus.
--> Display at 01:27:15:05
So the landmark,
bright-line test
--> Display at 01:27:19:18
for whether something is true
by biblical standards.
--> Display at 01:27:23:08
We have to remember when we look at these documents,
--> Display at 01:27:26:00
interesting as they are, powerful as they are,
--> Display at 01:27:29:00
powerful as the story
they tell is,
--> Display at 01:27:32:10
that they were all written
long after the fact.
--> Display at 01:27:36:13
If we think
about our own experience
--> Display at 01:27:38:15
and we think what it would be like for my son or my grandson
--> Display at 01:27:44:05
to describe, for example,
the impeachment of Bill Clinton.
--> Display at 01:27:49:08
When we think how much people have forgotten
--> Display at 01:27:51:10
about the impeachment
of Bill Clinton
--> Display at 01:27:53:00
a few years after the fact.
--> Display at 01:27:55:15
Imagine if that story
were being written
--> Display at 01:27:57:18
as contemporaneous history,
an eyewitness observation
--> Display at 01:28:01:05
--> Erase at 01:28:03:10
70 years from now.
--> Display at 01:28:04:10
So the Gospels are interesting
--> Display at 01:28:07:20
because they clearly
do contain information
--> Display at 01:28:11:15
that appears to be fact.
--> Display at 01:28:13:20
--> Erase at 01:28:17:16
They're at odds with each other on a number of points.
--> Display at 01:28:18:10
And they were clearly,
as Dan Brown suggests,
--> Display at 01:28:21:18
chosen from among
many other accounts.
--> Display at 01:28:24:15
And someone, most likely
in the circle of Constantine,
--> Display at 01:28:30:10
from that time to the time of Pope Gregory, 300 years later,
--> Display at 01:28:34:20
someone or "someones" went through an editing process
--> Display at 01:28:38:15
and said, "These are in.
These are out.
--> Display at 01:28:41:13
These are blasphemous.
These are heretical.
--> Display at 01:28:44:05
We don't want to hear
about this line of reasoning,"
--> Display at 01:28:47:05
and in most cases
destroyed or burned
--> Display at 01:28:49:20
the heretical
alternative scriptures.
--> Display at 01:28:54:17
It was basically
as if the President of America
--> Display at 01:28:57:23
rewrote American history
to make it appear
--> Display at 01:29:01:08
that he was the savior
of America.
--> Display at 01:29:03:15
Constantine came to the conclusion, rightly or wrongly,
--> Display at 01:29:06:20
that the purpose of Jesus Christ
--> Display at 01:29:09:15
was to liberate
the Jewish people
--> Display at 01:29:12:10
from the Roman occupation,
and, in fact, he had failed.
--> Display at 01:29:16:20
And Constantine's rationale
--> Display at 01:29:19:00
was that he had actually saved Christians,
--> Display at 01:29:22:05
who were the descendants
of the Jews, or so he thought,
--> Display at 01:29:26:05
and it was he
who was the new Christ
--> Display at 01:29:28:13
and not Jesus Christ himself.
--> Display at 01:29:30:20
--> Erase at 01:29:35:16
So he basically remodeled
the religion based upon him.
--> Display at 01:29:44:20
The Knights Templar were
a real historical organization.
--> Display at 01:29:48:10
Every medieval historian
will tell you that.
--> Display at 01:29:51:15
They did play a very powerful and important role
--> Display at 01:29:54:18
during the Crusades.
--> Display at 01:29:55:20
They did occupy the Temple Mount in Jerusalem
--> Display at 01:29:58:10
for a period of years.
--> Display at 01:30:00:00
We don't know if they found
the Holy Grail or anything else
--> Display at 01:30:03:08
while they were occupying
the Temple Mount.
--> Display at 01:30:06:15
--> Erase at 01:30:09:13
We do know that they became
very powerful.
--> Display at 01:30:09:15
We do know that they became
the early bankers to the Church,
--> Display at 01:30:13:10
the early ambassadors
of Church power,
--> Display at 01:30:16:10
the early guerrilla warriors
of the Crusades,
--> Display at 01:30:21:00
--> Erase at 01:30:27:07
the special forces,
the elite delta squads.
--> Display at 01:30:28:05
And we do know
they became so powerful
--> Display at 01:30:30:18
that they became a threat
to emperors of France and popes,
--> Display at 01:30:35:23
--> Erase at 01:30:39:14
and eventually many of them
were massacred.
--> Display at 01:30:41:05
The Knights Templar were
the playboys of the Middle Ages.
--> Display at 01:30:45:05
Everybody wanted to be
a Knights Templar.
--> Display at 01:30:47:05
They had a fantastic reputation.
--> Display at 01:30:48:23
They had a lot of money.
They swaggered around.
--> Display at 01:30:52:05
They were able to cut
their hair,
--> Display at 01:30:55:00
but they weren't able to cut their beards.
--> Display at 01:30:57:15
They fought to the last.
--> Display at 01:30:59:03
They were undefeatable
in battle.
--> Display at 01:31:01:13
And they were ostensibly
the people
--> Display at 01:31:03:23
who were supposed to guard
the way to the Holy Land.
--> Display at 01:31:07:10
So pilgrims who were going there
--> Display at 01:31:09:10
were protected
by the Knights Templar.
--> Display at 01:31:12:10
In fact, their agenda,
we are led to believe,
--> Display at 01:31:16:05
or we can believe,
was somewhat different.
--> Display at 01:31:18:20
What they did when they arrived in Jerusalem
--> Display at 01:31:22:05
was basically take over the site of the Temple of Solomon.
--> Display at 01:31:26:20
And their main remit
was to find the treasure
--> Display at 01:31:31:03
--> Erase at 01:31:34:01
that they suspected
had been hidden there.
--> Display at 01:31:34:15
That was their main intention.
--> Display at 01:31:36:13
They were fabulously rich
in their own right.
--> Display at 01:31:39:15
Philippe the Fair of France
was very jealous of their power
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and their wealth, in addition
to being indebted to them
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through vast amounts of money.
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So, on Friday the 13th
of October, 1307,
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he arranged
for all the Knights Templar
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throughout France
to be exterminated
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at exactly the same time.
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The plot against
the Knights Templar
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was probably planned in advance.
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Of course, we know,
mainly orchestrated
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by the King of France,
Philippe IV, and Pope Clement V.
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They were in power at the time.
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And as the Templars were
a religious order, remember,
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the Pope had a lot of say
over their jurisdiction,
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and the king, it is
now believed, resented this.
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And there is a bit
of a severe power struggle,
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as the historical record shows, between the two.
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King Philippe IV
clearly owed the Templars money.
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It is widely believed now
by historians
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he wanted their land and,
of course, significant assets.
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So, therefore, that was
one possible motivation.
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Among others, the threat of the power of the Order of the Temple
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by that time,
which was quite extensive.
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King Philippe
had a bit of a problem
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convincing other kings
in other countries
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about the guilt of the Templars,
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'cause again, they had been viewed as being very pious,
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austere, devout, even fanatical Christian martyrs
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in the Holy Land.
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And no one could simply believe
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that this list of charges
would apply to Templars.
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It was a shock.
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It's as though we wake up today,
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the front page
of the newspaper or tabloid
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goes on about every executive being rounded up
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for an international bank
or organization suddenly,
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without any prior warning.
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We've often heard
of the saying today,
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"Friday the 13th,
unlucky for some."
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This saying is said
to have arrived
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from the original arrest
of the Knights Templar in 1307.
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And, in fact,
on Friday the 13th at dawn,
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there was a very sudden raid
on every known Knight Templar
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in all of Europe,
especially France.
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And this was a shock
to everyone at the time.
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By and large, it was just
found to be rather unbelievable
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that the powerful,
great Knights Templar
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could be guilty of such charges.
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In the 19th century, it was said that the Knights Templar
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worshipped Baphomet,
who was the figure
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who became the icon of
the Christian idea of the devil.
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Whether or not this was true,
we don't know.
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We do know the leader
of the Knights Templar,
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Jacques de Molay,
who was burnt to death,
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he made two statements
as he was being fried on sticks.
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First that all that the
Knights Templar were guilty of
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was lying under torture.
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And secondly
that Philippe the Fair
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and the Pope of the time,
who brought about
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the extermination
of the Knights Templar,
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he would see them in death within the year.
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And, in fact, both of them died before the year was out.