Time Code

ONE THOUSAND PICTURES

POST-PRODUCTION SCRIPT

01.00.00.00

Opening Titles:

SCOTTISH SCREEN and LICHEN FILMS

present

01.00.06.00

In association with

HOME BOX OFFICE

CHANNEL 4

IMPACT PARTNERS

01.00.11.00

A

JENNIFER STODDART

Film

01.00.11.00

Music in: (Verdi Requiem & Kyrie)

01.00.20.00

Caption:

St. Patrick’s Cathedral

New York

June 8^th 1968

01.00.24.00

Edward Kennedy:  He received an inspiration which he passed on to all of us.  He gave us strength in time of trouble, wisdom in time of uncertainty and sharing in time of happiness.  He will always be our side.

01.00.27.00

Caption:

Funeral Mass of Robert F. Kennedy

01.00.42.00

Caption:

On June 6^th 1968, three months

Into his Presidential campaign,

Robert Kennedy was assassinated.

01.00.50.00

Jerome Watson:  I cried that day and it don’t take a lot for me to cry.

01.00.59.00

Allen Doles:  He was sort of, sort of like a beacon to us, a shining light.

01.01.06.00

Charlie Maurone:  It was the end of something that just hardly began.

01.01.12.00

Music out: (Verdi Requiem & Kyrie)

01.01.16.00

Music in: (Commissioned)

01.01.25.00

Caption:

RFK’s casket was placed on a special train

that would take him from

New York to Washington DC

to be buried next to his brother, John.

01.01.40.00

Paul Fusco:  When the train at first came out of the tunnels the first thing I saw was hundreds of people in mourning.  I was just overwhelmed.  I had no anticipation of this at all.  It was like an explosion.  I just jumped out of my chair and pulled the window down and just started automatically photographing.

01.01.52.00

Caption:

PAUL FUSCO

Photographer

01.02.15.00

Paul Fusco:  I’ve always shot a lot of photographs and on that day it was constant.  I photographed over a thousand frames, just my response to this incredible mass of people who came to show their love and appreciation and sadness and loss for someone that I also was feeling great loss for.

01.02.39.00

Machell Foster:  The girl on the platform, that is me, Machell.

01.02.46.00 

Ron Herwig:  Well that gentleman in the middle was definitely me.  I was young, gung-ho.  I had just joined the fire company and it was something that was really important in my life.

01.02.58.00

Pinky Fowler:  I’m Pinky.  That’s me.  This is Vanessa.  She lived up the street.

01.03.07.00

Raymond Foster:  I was a, a good young man back in them days.  My family struggled back in that day.  I’m surprised I made with all the things I’ve been through in my life to date.  That picture really done something to me.

01.03.31.00

01.03.39.00

Title:

ONE THOUSAND PICTURES

R.F.K.’s Last Journey

01.03.48.00

Music out: (Commissioned)

01.03.50.00

Caption:

New York to Washington

A distance of 225 miles

01.03.54.00

Music in: (Commissioned)

01.03.58.00

Frank Mankiewicz:  I don’t know really whose decision it was to transport Senator Kennedy’s body by train from New York to Washington.  But it was determined well in advance he was going to be buried at Arlington Cemetery.  Why by train, I don't know.  Perhaps to dramatise the event, to make sure Americans understood how important and how devastating this event was in our history.  So it never occurred to me that there would be a question of crowds where the people would gather by the side of the train as it went by.  I was quite stunned.

01.04.17.00

Caption:

FRANK MANKIEWICZ

Robert Kennedy’s Press Secretary

01.04.58.00

Music out: (Commissioned)

01.05.04.00

Machell Foster:  I can remember everyone in the neighbourhood getting together to go up to the train station waiting for Bobby Kennedy to come along and it seemed like we sat there for maybe like two hours just waiting for the body to come.  Nobody was never moving.  And then when he did come along, everybody was like, you know, waving, you know, and they were so sad.  It was like the world was just got so quiet, you know.

01.05.18.00

Caption:

MACHELL & SARAH MAE FOSTER

01.05.34.00

Sarah Mae Foster:  I remember that I was hoping that that was the end of the assassinations because one after the other got killed, that all that was on my mind.  And I felt very sad for tear, I couldn’t do nothing but cry.  I felt something like the whole world was like in a mess and the way he expressed his self that maybe he could straighten out the United States.

01.06.12.00

Ruth Redmond:  Most people loved the Kennedys.  That’s why they were out there and it seemed like he was trying to help the blacks as well as the whites.

01.06.17.00

Caption:

RUTH REDMOND

01.06.22.00

Joe Fausti:  I was always an underdog.  Bobby Kennedy was always for the underdog.  He was a regular guy in the eyes of myself and a lot of other people.

01.06.23.00

Caption: 

JOE FAUSTI

01.06.37.00

Charlie Maurone:  We knew and we felt that Robert Kennedy was going to be the next president of the United States.

01.06.38.00

Caption:

CHARLIE MAURONE

 01.06.47.00

Caption:

Candidacy Announcement

March 16^th 1968

01.06.47.00

Robert Kennedy:  I am announcing today my candidacy for the presidency of the United States.  I do not run for the presidency merely to oppose any man or to propose new policies.  I run because I am convinced that this country is on a perilous course and because I have such strong feelings about what must be done and I feel that I’m obliged to do all that I can.

01.07.07.00

Music in: (Commissioned)

01.07.21.00

Frank Mankiewicz:  I you had wanted to do a portrait of America in late 1967 all the way up until the, the election, you would say we were a country at war.  We were, by and large, a racist country or, at least, a country of separate races in which most Americans, I think, accepted the idea that black children would go to schools that were inferior, if at all, that there would be a difference, a marked difference in style of living depending on money and social position and, of course, race.  And there suddenly appeared Robert Kennedy who was against all those things.

01.08.14.00

Caption:

Indianapolis

April 4^th 1968

01.08.13.00

Robert Kennedy:  What we need in the United States is not division.  What we need in the United States is not hatred.  What we need in the United States is not violence and lawlessness but is love and wisdom and compassion toward one another and a feeling of justice toward those who still suffer within our country whether they be white or whether they be black.

01.08.51.00

Music out: (Commissioned)

01.09.00.00

Frank Mankiewicz:  What would he have made of those crowds as they lined the tracks?  I don't know.  I think he would have been quite surprised.  Are these people all here for me?

01.09.13.00

Music in: (Willow Weep For Me – Billie Holiday)

01.09.38.00

Paul Fusco:  I figured out, most of us hide most of the time and we don’t really want people aware of what we’re feeling and what’s going on in us heads.  And it’s bad for photographers if we can’t get at you and really show what’s going on.  But that day very few people were hiding.  It was a consistent wave, torrent of emotions without interruption.

01.10.41.00

Music out: (Willow Weep For Me – Billie Holiday)

01.10.42.00

Jerome Watson:  I felt that it was a wrong doing because I thought he was a great man.  Yeah, I thought he would have been more like his brother as far as being the president.  And it hurted.  I mean, I really hurted.  It hurted just about as much as it did Martin Luther King when he got assassinated.  That’s why I went up there to the train station.  He was like a friend, somebody that will listen.

01.10.47.00

Caption:

JEROME WATSON

01.11.19.00

Music in: (Commissioned)

01.11.34.00

Charlie Maurone:  Six weeks before Robert Kennedy was killed he came to Pennsylvania to Ridley Park, Ridley Township.  Everyone was excited because Johnson had just come out of the race that prior day.  As the Democratic chairman we were excited because he brought a new vision to our party that was stale.  And when I met him and spent that day with him the impression was tremendous.  Six weeks later when that funeral train came through town it was sad.  Everyone was sad.  There were tears.  It affected everyone and it affected me personally because I felt that there was a breath of fresh air for our country and he was gone.  He was gone like his brother was gone.

01.11.48.00

Caption: 

CHARLIE MAURONE

01.11.48.00

Music out: ((Commissioned)

01.12.26.00

Music in: (Commissioned)

01.12.41.00

Caption:

Elizabeth, NJ

01.12.52.00

Music out: (Commissioned)

01.12.50.00

Eileen Sciscione:  It’s my dad.  Looks like he’s front and centre holding a baton, looking quite serious and, oh, young.  I remember quite clearly being very proud of my dad.  We used to watch him in parades all the time when we were younger and it was very exciting for us to go see him and just made it a proud feeling watching him.  And it just brings back really good memories of that, even though this was a very sad day.

01.12.57.00

Caption:

EILEEN SCISCIONE

01.13.29.00

Joe Sciscione:  Well, we were notified to, to provide a funeral brigade of men to assemble at the station located on West Grant Street at Elizabeth.  The primary squad was made up of, of firemen and policemen.  When they called you would give up your time and go and, and do it.  There was no, there was no payment or nothing.  As we waited the, a lot of, a large crowd of people gathered around.  In fact they were stretching their way out on to the tracks of the front of the station.  My daughter was in that group.

01.13.45.00

Caption:

JOE SCISCIONE

 01.14.06.00

Music in: (Commissioned)

01.14.10.00

Eileen Sciscione:  My father was across the way and I could see him standing at attention.  All of a sudden I was like pulled off the tracks where I was by, I don't know by whom, and I felt a wind right across my face, I mean, and it was another train.  And then there was absolute chaos.  There was people screaming.  There were people running and crying.

01.14.44.00

Joe Sciscione:  They were under the impression that there was no trains running, that just the funeral train.  And this train came by and struck a number of people.

01.15,01.00

John Curia:  My father was with lady friend of his.  He attempted to push her out of the way and unfortunately was unsuccessful and both were struck.  This woman was a very good friend of my father’s and friend of our family.  So it was really a double tragedy.

01.15.05.00

Caption:

RICHARD & JOHN CURIA
Sons of Accident Victim

01.15.20.00 

Richard Curia:  And that’s, that leave out the situation that she did have her grandchild in her arms.

John Curia:  That’s right.

Richard Curia:  And she threw her off and saved her life.

John Curia:  We like to believe that both he and she were heroic in this situation.  My father trying to get her out of the way and she sacrificing for her grandchild.

01.15.43.00

Music out: (Commissioned)

01.15.45.00

Music in: (Commissioned)

01.15.51.00

Frank Mankiewicz:  I remember briefing the press at one point that Ethel and Joe Kennedy came through as they did to, to thank every traveller to, who had come along.  And she wondered why we were all gathered together and I can’t remember what hastily thought up reason I came up with.  But it certainly wasn’t to tell her that we had killed two people along the way.

01.16.24.00

Caption:

Philadelphia, PA

01.16.36.00

Music out: (Commissioned)

01.16.33.00

Vanessa Chambers:  I’m here at the north Philadelphia station.  We used to play on the station.  We used to climb the billboards.  There used to be a cop called Fat Bill and he would always chase us home.  But there are a lot of memories here.  I see a lot of my friends.  I’m standing next to Pinky.  We were the tomboys out of the crowd.

01.16.39.00

Caption:

VANESSA CHAMBERS

01.17.04.00

Pinky Fowler:  Just growing up as kids, you know, we didn’t, it wasn’t much, you know, it wasn’t like in the country but in the city we went skating, to the movies and, you know, we all grew up together and we’re all very close today due to that.

10.17.09.00

Caption:

DELVIA “PINKY” FOWLER

01.17.26.00

Sedrick Robinson:  These memories brought back no hope, no food, going to school with no lunch and also going to school in this same neighbourhood and about two blocks away was another rival gang.  If we walked one or two blocks either way you were either going to be beaten, stabbed or killed.  This was a highly segregated city at the time.  And as you see the whites standing there in the crowd with us.  The problem wasn’t white couldn’t come into the neighbourhood.  The problem at this time was if blacks went to a white neighbourhood that’s when they were beaten.  I would have to say 90 to 95 percent of all the guys I grew up with indulged in some form of illegal activity along the way.  Some got so deep involved, caught up in it, they couldn’t get out of it.  I was just one who indulged in it.  It was just a blessing from God how I got out of it and then got the jobs and the opportunities because anybody who knew me would, would first thing when they, if they were to saw me as a cop, would says, they gave you a gun?

01.18.15.00

Caption:

SEDRICK ROBINSON

01.18.48.00

Music in: (Commissioned)

01.18.49.00

Pinky Fowler:  This is Toody.  He was my boyfriend.  We used to go together at that time.  He was a very sweet guy, you know, very quiet, OK, but sweet.  Me and him had a child together.  His name is Robert, just like his father.  Toody’s real name was Robert.  Toody was killed in a car.  I’m not really sure of all the circumstances but I, I know he was shot in the chest and he died on the way to the hospital.  When I saw the picture of Toody the first thing that came to my mind was, this picture is the only picture with both of us in it.  It’s just like you’re frozen in time.  But I, I’m blessed that I’m here and I thank God that I have the opportunity to see it.

01.20.11.00

Music out: (Commissioned)

01.20.23.00

Paul Kettler:  I was in the area, meaning the campus of Princeton University for the fifth reunion of my class, class of 1963.  I see my mother and myself standing alongside the track at a place called Princeton Junction, New Jersey.  My father had died two years earlier in 1966 so my mother was alone without him at this time and we drove together from our home in Chicago to my reunion.  On everyone’s mind was, why is there this craziness?  Why are people getting assassinated and is this a pivotal turn in American history where we won’t have presidents who can go out and touch the people any more but they’re going to hide behind armoured cars and never make public appearances.  And if that’s what’s becoming of the nation, what does that say?

01.20.44.00

Caption:

PAUL KETTLER

01.21.24.00

Music in: (Commissioned)

01.21.28.00

Caption:

Cleveland, Ohio

April 6^th 1968

01.21.26.00:

Robert Kennedy:  When you teach a man to hate and to fear his brother.  When you teach that he is a lesser man because of his colour or his beliefs or the policies that he pursues.  When you teach that those who differ from you threaten your freedom or your job or your home or your family, then you also learn to confront others, not as fellow citizens but as enemies, to be met, not with cooperation but with conquest, to be subjugated and to be mastered.

01.22.20.00

Music out: (Commissioned)

01.22.15.00

Frank Mankiewicz:  There were great divisions in the country at the time and they were, to some extent, exacerbated by the Kennedy candidacy, the question of the war, race riots.  He took positions.  He did not say, well can’t we all get together because it was quite clear that racists were not going to get together with the civil rights movement.

01.22.27.00

Music in: (Cities are Burning – Fred Kirkpatrick)

01.23.07.00

Michael Scott:  As I looked at the casket I goes, here, here, here goes our last hope.  Martin Luther King had been assassinated just two months prior to that.  They took Moses away from us when he was killed.  Bobby was, was David who was going to fight Goliath, who, Goliath being bigotry and racism and those standing in the way of equal rights.  So when he was taken away, if you had half a pulse and somewhat of a soul you knew that this was something major, this was not a good thing to happen.

01.23.23.00

Caption:

MICHAEL & McKINLEY SCOTT

01.24.01.00

Michael Scott:  Because of my father’s activities moving forward the civil rights agenda there were those in the community who had a problem with that and it was sufficient cause for the local Ku Klux Klan to decide that the residents of 40 Red Toad Road and, and subsequently anyone around them, should be taken off the face of the earth.

01.24.14.00

Music out: (Cities are Burning – Fred Kirkpatrick)

 01.24.17.00

Music in: (Commissioned)

01.24.25.00

McKinley Scott:  Four weeks after the assassination an attempt was made on my life and, of course, my family.  At 10 minutes to 2 in the morning a bomb was thrown from a passing car and it rolled down in the driveway and exploded.  That was an awful experience.  It felt like my bed jumped up 2 feet off the floor.

01.25.07.00

Music out: (Commissioned)

01.25.09.00

Michael Scott:  To this day it’s not easy to really delve into but Cecil county’s come a long way.  This country’s come a long way.

01.25.19.00

Music in: (Commissioned)

01.25.26.00

Robert Kennedy:  Each time a man stands up for an ideal or acts to improve the lot of others or strikes out against injustice, he sends forth a tiny ripple of hope and crossing each other from a million different centres of energy and area. Those ripples build a current which can sweep down the mightiest walls of oppression and resistance.

 01.25.36.00

Caption:

Cape Town, South Africa

June 6^th 1966

01.25.56.00

Sister Eve Kavanagh:  The Kennedys were very well known in our community.  His sisters had been to school with our nuns.  Many of his children were at school in our schools.  So it was a stunning shock.  Many of us were saddened, including me, because I was in the process of becoming a citizen and I was becoming a citizen because I, I wanted to vote.  I couldn’t stand not being able to vote and I would have voted for him.

01.26.04.00

Music out: (Commissioned)

01.26.15.00

Caption: 

SISTER EVE KAVANAGH

01.26.28.00

Music in: (Commissioned)

01.26.33.00

Sister Eve Kavanagh:  Everything was exploding, as you might remember.  And I who had been very innocent and quiet and more or less taking everything for granted was suddenly thrown in the midst of all this turmoil and I loved it.  I, I, I just simply loved it.  I think it, I came alive.  I woke up and I’ve been awake ever since.

01.27.00.00

Allen Doles:  I was just searching for identity I would think.  As most of the other young people at that time, I think they were trying to assume their own identity.  The marijuana thing, that was plentiful.  It was your choice.  If that’s what you chose to be about.  The alcohol.  The music was fantastic.  The music was fabulous.  And the women, you could just have some wonderful times being in their company.  And there were some great dancers.  And we all loved to dance at that time and we still do.

01.27.17.00

Caption:

ALLEN DOLES

01.27.51.00

Music out: (Commissioned)

01.27.51.00

Caption:

Baltimore, MD

01.28.01.00

Ruth Redmond:  I can see the train tracks from where the train came across.  And there were a lot of other people on their steps looking up.  But most of the younger people came out in the streets and was lined in the 1400 block.  When I moved to Broadway in 1949 it was mostly white.  I’ve lived there for 60 years.  As the years went along blacks moved in and the whites moved out.  It is mostly black now.

01.28.10.00

Caption:

RUTH REDMOND

01.28.44.00

Music in: (Commissioned)

01.29.01.00

Joe Fausti:  I was an 18 year old youth in, living in Trenton, New Jersey, and I was playing basketball with a bunch of friends.  We decided to pay our respects because we heard on the radio that we were listening to that Robert Kennedy’s funeral train was coming through our area.  So we climbed up on top of a boxcar to get a better view because there were many, many thousands of people.

01.29.07.00

Caption:

JOE FAUSTI

01.29.08.00

Music out: (Commissioned)

01.29.27.00

Music in: (Commissioned)

01.29.29.00

Joe Fausti: When we were on top of the boxcar we had witnessed a helicopter.  At the same time the train was becoming visible down the line.  We saw the light of the engine.  That was the last thing I recall.  As I was waving to the helicopter my hand struck a high-tension power line.  There was approximately 35,000 volts of electricity.  I burst into flames when I hit, apparently hit the wire.  The electricity entered my hand, went through my body, and exited my left ankle.  People came over and took their clothes off, or jackets, and, and actually put me out because I was, I was ablaze.  I was severely burned over about 65% of my body.  I needed skin grafting surgery four of five times while I was in the hospital.  The pain associated with that was quite indescribable.  It gives me kind of goose bumps to, to see myself here and to think that that was already over 40 years ago and I could have, could have died that day.

01.31.00.00

Music out: (Commissioned)

01.30.56.00

Music in: (Round Midnight – Miles Davis)

01.31.31.00

Jayne Hayden:  In 1968 I was 16.  I went to the train tracks more than anything because I was becoming more and more interested in politics at the time.  Less than a year before on August 16^th, 1967, I lost my brother in the Vietnam War.  He was a CB stationed in Dong Ha and was killed and our life was pretty much shattered at that point.  It was a Sunday night.  It was 9.15.  I was watching Bonanza.  And, you know, I, I was laying on the floor.  I was the only one in the living room.  And, and it was a warm August day and, and there was a knock and I just looked right up.  I could see the back, the front door and, you know, I just saw white, I just saw white uniforms.  And, and that was it.  Our life was just shattered then.  I just remember a lot of screaming the rest of the night.

01.31.44.00

Music out (Round Midnight – Miles Davis)

01.31.43.00

Caption:

JAYNE HAYDEN

01.32.47.00

Music in: (Commissioned) 

 01.32.50.00

Caption:

Kansas State University

March 18^th 1968

01.32.48.00

Robert Kennedy:  Today I would speak to you of the war in Vietnam.  I am concerned as I believe most Americans are concerned that we are acting as if no other nation existed against the judgement and the desires of neutrals and our historic allies alike.  I am concerned that at the end of it all there will be only more Americans killed, more of our treasure spent and because of the bitterness and because of the hatred on every side of this war, more hundreds of thousands of Vietnamese slaughtered so that they may say as Tacitus said of Rome, they made a desert and they called it peace.  I don't think that’s satisfactory for the United States of America.

01.33.49.00

Jayne Hayden:  I was very conservative at the time, believed in my country right or wrong.  As a matter of fact I even gave a speech to my class in high school about my country, right or wrong, and in the name of my brother’s death we must rally behind the president, you know.  I, within the next two years I went from far right to far left.  Certainly Bobby Kennedy’s death crystallised the split in the country.  It was like sides were always being taken, both sides, and there was no middle ground.

01.33.54.00

Music out: (Commissioned)

01.34.28.00

Caption:

Kansas State University

March 18^th 1968

01.33.26.00

Robert Kennedy:  There is a contest on, not for the rule of America but for the heart of America.  In these next 8 months we are going to decide what this country will stand for and what kind of men we are.  So I ask for your help in this city and the homes of this state, in the towns and on its farms, contributing your concern and your actions, warning of the danger of what we are doing and the promise, and the promise of what we can do in the future.  And I pledge if you give me your help, if you give me your hand that I will work with you and we will have a new America.  Thank you very much.

01.34.52.00

Music in: (Commissioned)

01.35.21.00

Frank Mankiewicz:  It was dark before we got to Washington but I don’t think anybody thought we should have speeded up and gone on past those people who, who were watching the train go by and whose faces were in, just indelibly and forever etched in our memories.

01.36.00.00

Music out: (Commissioned)

01.35.52.00

Paul Fusco:  If I have to make a choice about my favourite photograph of all of them, father and son standing at the front of a small footbridge, and I guess it’s his wife slightly to the back, and they’re saluting.  That’s the one that really gets me.  It’s like the whole story right there.  It’s the whole story of America and the founding of the country and the people growing in it and, and what happens and then this, so much hope, still is so much hope.

01.36.14.00

Music in: (Commissioned)

01.36.51.00

Frank Mankiewicz:  Do I miss him?  Yes, I miss him very much.  We miss him on every issue.  We miss that clarity of vision.  We miss, I think, the irony and the contentiousness, the sense that there were battles to be won and sides to be taken.

01.37.30.00

Caption:

Washington, DC

01.37.46.00

Music out: (Commissioned)

01.37.42.00

Edward Kennedy:  My brother need not be idealised or enlarged in death beyond what he was in life, to be remembered simply as a good and decent man who saw wrong and tried to right it, saw suffering and tried to heal it, saw war and tried to stop it.  Those of us who loved him and who take him to his rest today pray that what he was to us, what he wished for others will some day come to pass for all the world.  As he said many times in many parts of this nation to those he touched and who sought to touch him, some men see things as they are and say why.  I dream things that never were and say why not.

01.37.46.00

Caption:

EDWARD M. KENNEDY

Eulogy For His Brother

June 8^th 1968

01.38.41.00

Music in: (Commissioned)

01.38.49.00

End titles:

Funeral Train Photographer

Paul Fusco

01.38.53.00

01.38.58.00

01.39.02.00

01.39.05.00

Colourist

Ian Ballantyne

01.39.08.00

Dubbing Mixer

01.39.12.00

Francisca Fuentes

01.39.14.00

Special Thanks To

Renee Haugerud

Magnum Photos

01.39.17.00

With thanks to

Amtrak

Galtere Ltd

Lisa Quilter

John H. Murphy

Elephant Rock Foundation

Colin Waugh

Elizabeth Public Library

Marc Marnie

Veyrier Inc

Leonard Foreman

Dominique Green

Keith Alexander

Jeff Whitecross

Chris Jagodzinski

Richard Parry

Aperture Foundation

Mike Dixon

RFK Center for Justice

and Human Rights

Jean Stein

01.39.20.00

Archive

AP Archive

British Pathe

BBC Motion Gallery

Library of Congress

John F Kennedy Library

Burt Glinn/Magnum Photos

Clifford D Davis

The Cecil Whig

Janine Penfield

Gail Gerase

01.39.22.00

Original Music by

Musicotopia

Music Clearance

Accorder Music

01.39.25.00

‘Round Midnight’

Performed by Miles Davis   Written by Williams/Hanighen/Monk

Courtesy of Sony Music Entertainment UK Limited

on behalf of Columbia Records Group

Published by W9 Music Corp (ASCAP) and Warner-Tamerlane

Publishing Corp. (BMI) on behalf of Thelonious Music Group (BMI)

‘Willow Weep For Me’

Performed by Billie Holiday   Written by Ann Ronnell

Courtesy of Verve Records

Under License from Universal Music Operations Ltd.

©1932 renewed 1960 Ann Ronnell Music (ASCAP)

and Bourne Music Inc

All Rights reserved.  International Copyright Secured.

Used By Permission.

‘Cities are Burning’

Performed by Fred Kirkpatrick/Sanga Music Inc.

(represented by Harmony Music Ltd for UK & Eire)

Courtesy of Smithsonian/Folkways   Used by permission.

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Production Managers

Lucinda Beveridge (UK)

Sheila Maniar (US)

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Co-Executive Producers

Adriana Mnuchin

Kevin & Donna Gruneich

Diana Barrett for The Fledgling Fund Inc.

Abigail Disney for Fork Films

Patricia Lambrecht

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Executive Producer

for Impact Partners

Dan Cogan

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Executive Producer

for Scottish Screen

Robbie Allen

Business Affairs

Linda McClure

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Home Box Office

Senior Producer

Nancy Abraham

Consulting Editor for HBO

Geof Bartz A.C.E.

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Executive Producer for HBO

Sheila Nevins

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A Lichen Films Production

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©LICHEN FILMS MMX

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Music out: (Commissioned)

01.39.59.00

End Picture