At an early age, Qahir's legs were blown off by a landmine hidden in the desert dust of Kabul. Now 20, he works as a postman so that his brothers will "be able to study". He hopes to one day have a wife and family to love, but with no money and plastic legs, there's little hope: "No one wants to give their daughter as a bride to an invalid", he sighs as he removes his prosthesis. Qahir makes his deliveries through "rain and snow" and prays that God will bring "a solution".

Yet war has only brought glory to eighty year old Uri. Described as a "living legend" in his hometown of Lebanon, Uri grew up on the volatile Israel/Lebanon border. His "family fought in all the wars in Israel", and he couldn't wait for his chance to prove himself. In the 1948 War of Independence, Uri rose through the ranks rapidly. Now a group of young recruits hang on his every word as he talks about the 'good old days', when he was able to fight for his "beloved country".

Madguud has watched the war in Somalia tear his country apart. "I earn about ten dollars a day, I've had nine wives, divorced seven times." 'Baidoa', the city he grew up in, is now surrounded by "poverty and depression", described as the "city of the walking dead". Its people are constantly being robbed, massacred, and raped. "With this war between the clans, power is nepotism and discrimination", explains Madguud. Here, people enlist in the army because there is no other option. Men scrabble in line to sign up or be left behind: "we no longer have a life or a future".

For Uri bloodshed is necessary because the "Jew without land is cursed", Qahir "doesn't understand why men fight each other", and Madguud hopes only to "find an answer" for his family. Yet as their tales are skilfully woven together, we get a fuller picture of the sometimes seductive, sometimes repulsive, always bizarre lifestyle of war.

Best Production - Libero Bizzari Award 2010

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