No Land No Food No Life

Agri-business stealing 3rd world small holdings to make huge corporate farms

No Land No Food No Life Small-scale farmers in Africa and Asia are being forced off their land by an unprecedented corporate land grab. If they hold their ground they are subjected to horrific threats and violence. Exploring the personal stories of those affected, this documentary gives a voice to threatened subsistence farmers throughout the developing world. If your livelihood was ripped away from you, how would you cope?

"When police came to beat us I stood my ground. If they ripped out my guts, I'd never give up my land", cries Aminata, a female landowner in Mali. They beat her till she was "black and blue" - with other pregnant women battered to the point of miscarrying. Subsistence farmer Byagagayile Adelya also found the land he had farmed his entire life snatched away from him. One of the many palm oil companies attracted to the wide open pastures sent men to threaten and scare him from his land. He refused to leave and went straight to the government authorities, but "they were no help at all". Now this elderly man stands next to the burnt remains of the house he built himself, destroyed by the farmers while he was in hospital.

In a bid to boost Mali's agricultural production, government ministers "make land available" for major investors and agri-foods tycoons. The head of one of them, GDCM insists "there is no conflict" . They insist large farming corporations give Mali financial security and boost the wealth brought in by farming exports. With the global economic crisis of 2008, more and more companies are looking to industrial scale agriculture as a stable investment. Thousands of miles away, stockbrokers in America eagerly await the African supply to meet the investors' demand: "We see great opportunity in Africa, there's a lot of good farm-ground in Africa that can be more efficiently produced", says Fred Seamon of the Chicago Board of Trade.

As 1 billion people go hungry because of the industrial food system, the stakes are high - the world needs more food but is it right to rob the land of third world farmers to achieve it? "The fight against land grabs is a fight against capitalism and a predatory economic model. Our land and our identities are not for sale", says community organiser Massa Kone.

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Laurel Official selection - Vancouver International Film Festival, 2013
Laurel Official selection - IDFA, 2014
Laurel Official selection - Montreal International Documentary Festival - RIDM, 2013
FULL SYNOPSIS

The Producers


Writer & director Amy Miller is a media maker and social justice organizer based in Montréal. Her first documentary, Outside Of Europe, focuses on the exclusionary nature of immigration and border policies and continues to be screened around the world. No Land No Food No Life, a doc on the economy, agricultural land grabs and changes to farmers' lives around the world is her most recent documentary. She remains dedicated to developing critical documentaries for transformative social change and helping out grassroots campaigns for justice.


Films de l'Oeil Inc. is a production company that aims to spark thoughtful debate on current issues through a variety of points of view reflecting the diversity of our world. Films de l'Oeil is committed to conveying information through rich, bold content and entertaining with innovative treatments. Films de l’Oeil was founded in Montreal by Catherine Drolet.

Making The Film


I wanted to take a deep look at resource management and one’s ability to have control over the most vital of needs - access to growing food. I believe that if people knew what was happening they would be concerned and want to take action, not only to create a more just and equitable world, but also in their self-interest to access food. Many of the ways I present ideas in my documentaries are based on Paulo Freire’s ideas surrounding popular education which emphasize the need to provide local populations with an education that focuses on anti-colonialism and is rooted in modern pedagogy. My documentaries are inspired by the critical pedagogy movement that Freire and others such as contemporary Henry Giroux have developed: guided by passion and principle, to help audiences develop consciousness of freedom, recognize authoritarian tendencies, and connect knowledge to power and the ability to take constructive action.

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