Happily Ever After
A woman revisits the 'ex-men' of her past as she seeks to understand why a fairy tale ending eludes her



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Tatjana was educated at the Moscow film school, where a poetic and metaphorical way of expressing yourself as an author is the norm. In the Netherlands, she was faced with a much stronger structuring and dramaturgically controlled storytelling tradition. The genesis of this film was a difficult delivery, also because the production team wanted to integrate these two completely different starting points into a cinematic plot. Tatjana hopes that the intensity, focus and passion that so many different people have devoted to this movie is tangible in the final result and that they have made a film that appeals to a wide audience of both women and men.
One day, seven years ago, grieving in my apartment in Zagreb about another failed love affair, I phoned, in a fit of melodramatic yearning, a number of my exes. To my shocking dismay, almost all of them turned out to be married with children. At that moment I suddenly saw the light! I pictured a film before me about my unhappy love life, in which I paid a visit to all these men all in order to find out what was really wrong with me. A passionate desire rippled through my veins. I immediately felt a lot better.