Russians Have Gone

Russians Have Gone The Armenian nation suffered two great catastrophes in the last century. In the First World War it was the genocide carried out by the Turks; in 1988 it was a devastating earthquake. After Armenia was able to finally achieve independence, over a million people left the country. Gravedigger Garnik, stonecutter Arut, orthodox priest Tatul and little Varuzh, however do not intend to leave their homes. They spend their days in the giant cemetery in the town of Giumri, which had been almost completely destroyed by the earthquake. In scenes of lyrical images, renowned documentary filmmaker Alexander Gutman effectively explores the borders between a town that is both and alive and dead and between childhood and adulthood. The combination of black and white, color, and yellow-black footage intensifies this gradually emerging insight into the Armenian soul.
This puzzling film has the feel of a Beckett play. Weary-looking men hang around a desolate place wearing shapeless dressing gowns, women hang their laundry to dry on barbed wires... A cold landscape of rocks, ice, and the ruins of a long-forgotten industrial age surround these people who seem trapped between life and death in a wasteland.
key shots:

00:01 man leaning against a derelict cistern
00:22 derelict building
00:53 wide vista of a desert plain with dramatic cliffs in the background
01:15 inside the building, views of what seems like an deserted factory
02:28 battered vans and other metallic wrecks
04:40 man outside drinking alcohol
05:55 graveyard in the snow
06:04 canyon landscape
06:50 desolate-looking small town
09:10 dry and cracked desert soil
09:13 pupils in a classroom
10:20 courtyard of what looks like a prison or a mental institution
15:20 toddler wading through a large puddle of mud
19:00 old man with a walking stick in the snow
21:20 little girl shoveling the snow
23:41 women working in a laundry room with old industrial-looking washing machines
27:00 old woman baking bread in an open oven outside.
FULL SYNOPSIS

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