The Producers

Andrew H. Brown - Director & DP

After his time as an enlisted Forward Observer in the US Army, Andrew has spent the last decade working as a humanitarian & filmmaker in sub-Saharan Africa. Most recently, he was the producer (p.g.a.), cinematographer & editor of KIFARU (Audience Award at Full Frame, Grand Jury Winner at Slamdance). As the producer of KIFARU, Andrew secured exclusive access to the story of Sudan - the last northern white rhino male in existence - allowing the crew to capture the story of extinction in real-time for the first time in history. As the editor for KIFARU, he was nominated by Jackson Wild for Best Editing. Prior to that, Andrew spent three years building relationships within northern Kenya’s poaching network, unveiling the intricacies of the illegal ivory trade as the producer of WHEN LAMBS BECOME LIONS (Best Editing, Tribeca Film Festival); a recipient of Sundance’s Documentary Production Grant in 2017. Andrew was also a member of the 2022 Points North Fellowship.

Samuel Ekomol - Producer

Samuel is an activist and studying to be a science teacher based in Kenya. Born and raised in the village where our story unfolds, Samuel prides himself on being a representative voice for the Turkana people and culture. As an advocate, he has worked on various peace building initiatives throughout northern Kenya’s rural communities. As a leader within the student body at Moi University, Samuel partnered with the university to help inform and equip students and their families from pastoral communities on their rights and opportunities available to them in their communities. Samuel currently works as a public school teacher for his rural community.

Making The Film

Between the Rains is a visually-driven story that is told through patient, verité filming over the course of three years. Through unscripted events and unmeasured reactions that unfold on screen in real-time, viewers are offered the opportunity to reflect on universal questions about our common humanity -- How does my culture shape my identity? What is my relationship to nature? What happens to the heart when it is filled with hatred?

Our approach is both cinematic and intimate, conveying the humanity of our subjects, while also capturing the scope and scale of the decisions they make. To achieve this level of unprecedented access into the Turkana community and to ensure that we had the right to tell this story, we followed the lead of producers Moses Thuranira and Samuel Ekomol — two emerging Kenyan creatives that have been a part of the community their entire lives. Aiming for the highest measures of collaboration and trust with our subjects rather than just a basic level of consent, we spent years building trust before a camera was ever turned on.

We focus the story on strong characters as they learn from their choices in real-time. Much of Kolei’s character arc will be driven forward as he faces his fears — both literally and metaphorically — allowing viewers to empathize and connect from a deeper, internal place. Relying on unguarded thoughts rather than carefully answered interviews to drive the story, viewers are given a more immersive experience; where they feel the weight of Kolei’s choices and are offered the same sightline. Furthermore, because our film takes place in the vast northern Kenyan landscape where the land itself has a direct and daily influence in our subjects' stories, it will be a cinematic point of focus.

Because Andrew helped shoot and edit his previous feature film, he was able to shoot with an editor’s eye; following and crafting the story in real time. Filming body language and emotion rather than chasing after leading soundbites, we have crafted a deeply personal story that doesn’t depend on a viewer’s ability or willingness to read subtitles. The majority of the filming is handheld and camera movement is used only to pull viewers closer into the story -- not just for the sake of stylized movement.