Happily Ever After

A woman revisits the 'ex-men' of her past as she seeks to understand why a fairy tale ending eludes her

Happily Ever After Having all her life pursued a quixotic ideal of love, but managed only to rack up a tally of stormy romances, Tatjana Bozic is on a search to discover why her relationships seem doomed to fall apart. In this playful exploration of flaws and failures, we follow her as she revisits the 'ex-men' that populate her whimsical past, digging up hatchets and reminiscing about the good times. A funny tale of weltschmerz and vegetarians, with a bit of all of us within.

"I better tell you on which rooftops we were shagging", suggests Pavel, Tatjana's first love and conception of romance incarnate. The two look out over Moscow's skyline as they reminisce about their four-year courtship, played out against the libidinous backdrop of Glasnost, Perestroika and toilet paper shortages. Memories come flooding back. "You screwed it up between us", he recalls. "Let the camera film this. You are the one who screwed up."

She travels as she used to, from one otherworldly man to the next: totems of different loves and passions, idols to be adored - if only for a while. We soon come to realise that her life has been not so much a search, as a parade - from one love to the next: a succession of oceanic feelings and determined commitments, each unlike the last, but all ultimately amounting to the same thing. "You're just like me", Tatjana's mother reminds her before passing away. "You'll never be happy."

In this playful exploration of flaws, failures, and incompatible impulses, one woman questions herself, her friends, and her one-time lovers in an effort to understand whether the kind of cosmic unity she so earnestly seeks can ever be found in her own relationships. Or whether, like the Russian novels through which she views much of her own experience, she is fated to search in vain through banal sexual encounters in elevator shafts and among the rooftops. "Men have this extraterrestrial power to make me one with the universe. Men. Oh, men."

.
.
.

Laurel Winner - Best Editing, Gouden Kalf 2014
Laurel Special Jury Mention, Sarajevo Film Festival 2014
Laurel Official selection, Prague One World Film Festival 2015
Laurel Official Selection, International Film Festival Rotterdam 2014
Laurel Official Selection, FilmFest Munich 2014
Laurel Official Selection, ZagrebDOX 2014
Laurel Official Selection, Luxembourg City Film Festival 2014
Laurel Official Selection, MakeDox 2014
Laurel Official Selection, Milano Film Festival 2014
FULL SYNOPSIS

The Producers


Tatjana was educated at the Moscow film school, where a poetic and metaphorical way of expressing yourself as an author is the norm. In the Netherlands, she was faced with a much stronger structuring and dramaturgically controlled storytelling tradition. The genesis of this film was a difficult delivery, also because the production team wanted to integrate these two completely different starting points into a cinematic plot. Tatjana hopes that the intensity, focus and passion that so many different people have devoted to this movie is tangible in the final result and that they have made a film that appeals to a wide audience of both women and men.

Making The Film


One day, seven years ago, grieving in my apartment in Zagreb about another failed love affair, I phoned, in a fit of melodramatic yearning, a number of my exes. To my shocking dismay, almost all of them turned out to be married with children. At that moment I suddenly saw the light! I pictured a film before me about my unhappy love life, in which I paid a visit to all these men all in order to find out what was really wrong with me. A passionate desire rippled through my veins. I immediately felt a lot better.

This site uses cookies. By continuing to use this site you are agreeing to our use of cookies. For more info see our Cookies Policy